{"id":633,"date":"2023-08-07T22:15:28","date_gmt":"2023-08-08T00:15:28","guid":{"rendered":"https:\/\/sites.usp.br\/diversaeca\/?page_id=633"},"modified":"2024-03-13T19:47:08","modified_gmt":"2024-03-13T21:47:08","slug":"fzdz-2021","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/diversaeca\/fzdz-na-eca\/2018-2\/fzdz-2021\/","title":{"rendered":"FZDZ 2021"},"content":{"rendered":"<p>A Escola de Comunica\u00e7\u00f5es e Artes, por meio do projeto Diversidade na ECA e do grupo de pesquisa AlterGen, com apoio da Comiss\u00e3o de Direitos Humanos e do PPGCOM da ECA\/USP, promove entre os dias 25 e 31 de agosto de 2021 a quinta edi\u00e7\u00e3o do encontro FZDZ G\u00eanero na ECA, reunindo pesquisadoras e pesquisadores dos estudos de g\u00eanero e sexualidade na interface com as comunica\u00e7\u00f5es e as artes.<\/p>\n<div id=\"SITE_PAGES\" class=\"JshATs SITE_PAGES\" data-page-transition=\"OutIn\">\n<div id=\"SITE_PAGES_TRANSITION_GROUP\" class=\"fcNEqv\">\n<div id=\"sx1u3\" class=\"dBAkHi sx1u3\">\n<div class=\"HT5ybB\">\n<div id=\"Containersx1u3\" class=\"Containersx1u3 SPY_vo\">\n<div class=\"\" data-mesh-id=\"Containersx1u3inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"Containersx1u3inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<section id=\"comp-ksjfoqnp\" class=\"comp-ksjfoqnp CohWsy wixui-column-strip\">\n<div class=\"V5AUxf\" data-testid=\"columns\">\n<div id=\"comp-ksjfoqnr\" class=\"comp-ksjfoqnr YzqVVZ wixui-column-strip__column\">\n<div id=\"bgLayers_comp-ksjfoqnr\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div id=\"bgMedia_comp-ksjfoqnr\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-ksjfoqnrinlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-ksjfoqnrinlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-ksjfoqns2\" class=\"BaOVQ8 tz5f0K comp-ksjfoqns2 wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Programa\u00e7\u00e3o completa<\/span><\/h2>\n<\/div>\n<div id=\"comp-ksjfoqnu1\" class=\"BaOVQ8 tz5f0K comp-ksjfoqnu1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_8 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">O encontro, em virtude das medidas de restri\u00e7\u00e3o da pandemia da Covid-19, se dar\u00e1 de forma totalmente remota\/online, a exemplo do que j\u00e1 aconteceu em 2020.<\/span><\/span><\/p>\n<p class=\"font_8 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"wixGuard wixui-rich-text__text\">\u200b<\/span><\/span><\/span><\/p>\n<p class=\"font_8 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">TODAS AS ATIVIDADES TER\u00c3O TRANSMISS\u00c3O SIMULT\u00c2NEA NO YOUTUBE DO DIVERSIDADE NA ECA ACESSE:\u00a0<a class=\"wixui-rich-text__text\" href=\"https:\/\/www.youtube.com\/DiversidadenaECA\" target=\"_blank\" rel=\"noopener\" data-auto-recognition=\"true\">https:\/\/www.youtube.com\/DiversidadenaECA<\/a><\/span><\/span><\/p>\n<\/div>\n<div id=\"comp-kskwxytr\" class=\"BaOVQ8 tz5f0K comp-kskwxytr wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">24\/08 \u2013 Ter\u00e7a-Feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kskwp69v\" class=\"BaOVQ8 tz5f0K comp-kskwp69v wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\">Pr\u00e9-evento: Resultados do GMMP<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kskwosau\" class=\" comp-kskwosau wixui-repeater\">\n<div class=\"E6jjcn\" role=\"list\">\n<div class=\"VM7gjN\">\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskwosc9__item1\" class=\"comp-kskwosc9 YzqVVZ wixui-repeater__item\">\n<div class=\"\" data-mesh-id=\"comp-kskwosc9__item1inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskwosc9__item1inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskwoscz1__item1\" class=\"BaOVQ8 tz5f0K comp-kskwoscz1 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">09h30 \u00e0s 11h30<\/span><\/h3>\n<\/div>\n<div id=\"comp-kste8f21__item1\" class=\"comp-kste8f21\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskwosd61__item1\" class=\"BaOVQ8 tz5f0K comp-kskwosd61 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa de abertura \u201cGMMP 2020 Brasil: a representa\u00e7\u00e3o de g\u00eanero na m\u00eddia brasileira\u201d\u00a0<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Apresenta\u00e7\u00e3o:<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Eliz\u00e2ngela Carvalho, coordenadora do GMMP 2020 no Brasil, jornalista e doutoranda em Ci\u00eancias da Comunica\u00e7\u00e3o na Universidade de Coimbra.<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Debatedoras:<br class=\"wixui-rich-text__text\" \/>Samira de Castro, segunda vice-presidente da Fenaj e representante da Diretoria Executiva na<br class=\"wixui-rich-text__text\" \/>Comiss\u00e3o Nacional de Mulheres da Fenaj e da Rede de Jornalistas e Comunicadoras com vis\u00e3o de<br class=\"wixui-rich-text__text\" \/>G\u00eanero e Ra\u00e7a;<br class=\"wixui-rich-text__text\" \/>Jaqueline Gomes de Jesus, professora do Instituto Federal do RJ e presidenta da ABEH &#8211; Associa\u00e7\u00e3o<br class=\"wixui-rich-text__text\" \/>Brasileira de Estudos da Homocultura;<br class=\"wixui-rich-text__text\" \/>Maria Sylvia de Oliveira, advogada e Coord. de Pol\u00edticas de Promo\u00e7\u00e3o de Igualdade de G\u00eanero e<br class=\"wixui-rich-text__text\" \/>Ra\u00e7a do Geled\u00e9s &#8211; Instituto da Mulher Negra<br class=\"wixui-rich-text__text\" \/>Marisa Sanematsu, Diretora de conte\u00fados e editora-chefe da Ag\u00eancia Patr\u00edcia Galv\u00e3o.<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: Cl\u00e1udia Lago<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"comp-ksnr65dd\" class=\"BaOVQ8 tz5f0K comp-ksnr65dd wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">14h \u00e0s 15h30<\/span><\/h3>\n<\/div>\n<div id=\"comp-ksted8z1\" class=\"comp-ksted8z1\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-ksnr6biz\" class=\"BaOVQ8 tz5f0K comp-ksnr6biz wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa \u201cDados e estudos de caso: leitura das aus\u00eancias\u201d<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Debatedoras: Clarissa Carvalho (UESPI), Daiane Rufino (UESPI), Kareen Terenzo (UC) e Keila Rosa (UC)<br class=\"wixui-rich-text__text\" \/>Modera\u00e7\u00e3o: Priscila Freire (UEA)<\/span><\/p>\n<\/div>\n<div id=\"comp-ksnr6hcq\" class=\"BaOVQ8 tz5f0K comp-ksnr6hcq wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">16h \u00e0s 17h30<\/h3>\n<\/div>\n<div id=\"comp-ksteexnt\" class=\"comp-ksteexnt\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-ksnr6lea\" class=\"BaOVQ8 tz5f0K comp-ksnr6lea wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa \u201cDesdobramentos e possibilidades a partir do GMMP\u201d<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Debatedoras: Liana Vidigal, Ester Minga, Tamires Coelho e Patr\u00edcia D&#8217;Abreu.<br class=\"wixui-rich-text__text\" \/>Modera\u00e7\u00e3o: Izamara Bastos<\/span><\/p>\n<\/div>\n<div id=\"comp-kskx42wr\" class=\"BaOVQ8 tz5f0K comp-kskx42wr wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">25\/08 \u2013 Quarta-Feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-ksjfoqnv2\" class=\" comp-ksjfoqnv2 wixui-repeater\">\n<div class=\"E6jjcn\" role=\"list\">\n<div class=\"VM7gjN\">\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-ksjfoqo3__item1\" class=\"comp-ksjfoqo3 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-ksjfoqo3__item1\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-ksjfoqo3__item1\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-ksjfoqo3__item1inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-ksjfoqo3__item1inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-ksjfoqoc__item1\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoc wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">9:00 &#8211; 11:00<\/span><\/h3>\n<\/div>\n<div id=\"comp-kstehcso__item1\" class=\"comp-kstehcso\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-ksjfoqoe1__item1\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoe1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 1: Cultura pop e representa\u00e7\u00f5es de g\u00eanero<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. A mudan\u00e7a de narrativa das anima\u00e7\u00f5es da Disney: do romance ao bromance &#8211; Mariana Martins Trindade<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2. Os limites de um \u201colhar feminino\u201d: Mulher-Maravilha e uma nova subjetividade feminista hegem\u00f4nica &#8211; Natalia Engler Prudencio<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. A representa\u00e7\u00e3o da identidade feminina da personagem Arlequina na constru\u00e7\u00e3o dos quadrinhos da DC comics &#8211; Romario Pires de Novaes<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. Autoras premiadas nas HQs brasileiras: representatividade e contranarrativas &#8211; Natalia Sierpinski<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">5. \u201cYou\u2019ve got she-mail\u201d: a presen\u00e7a do fandom de RuPaul\u2019s Drag Race no ambiente digital &#8211; Luis Henrique Souza Cunha e Andrei dos Santos Rossetto<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Heteronormatividade na fic\u00e7\u00e3o endere\u00e7ada a jovens: representa\u00e7\u00f5es de afeto em Shadow and Bone &#8211; Kellen do Carmo Xavier<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">7. Power Bottom: artivismo e performances de g\u00eanero de Lil Nas X &#8211; Luana Inoc\u00eancio, Carlos Henrique Trancoso e D\u00e9bora Moreira Giunti<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"wixGuard wixui-rich-text__text\">\u200b<\/span><\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o e Coordena\u00e7\u00e3o: Nat\u00e1lia Sierpinski<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-ksjfoqo3__item-kemop07k\" class=\"comp-ksjfoqo3 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-ksjfoqo3__item-kemop07k\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-ksjfoqo3__item-kemop07k\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-ksjfoqo3__item-kemop07kinlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-ksjfoqo3__item-kemop07kinlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-ksjfoqoc__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoc wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">13:30 &#8211; 15:30<\/span><\/h3>\n<\/div>\n<div id=\"comp-kstehcso__item-kemop07k\" class=\"comp-kstehcso\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-ksjfoqoe1__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoe1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 2: G\u00eanero, m\u00eddia e representa\u00e7\u00f5es n\u00e3o ficcionais<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. Mulheres, tr\u00e2nsitos e pertencimento: an\u00e1lise de uma geografia das cidades (2019), de Day Rodrigues -Karolyne Mendes Gomes e Gabriela Santos Alves<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2.&#8221;Ela tinha a bolsa do ano&#8221;: a imagem da mulher fatal, o Tribunal de Exce\u00e7\u00e3o da m\u00eddia e o direito penal no document\u00e1rio de Elize Matsunaga &#8211; Bianca Sud\u00e9rio e Luana Inoc\u00eancio<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. Mulheres, m\u00eddia e pol\u00edtica: as forma\u00e7\u00f5es discursivas presentes nos \u00f3rg\u00e3os de not\u00edcias da Procuradoria Especial da Mulher do Senado e da Secretaria da Mulher da C\u00e2mara dos Deputados de 2014 a 2019 &#8211; Laila Carolline Silva de Melo Dourado<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. Misoginia on-line em debate: visibilidade e poder &#8211; Amanda Rezende Lopes<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">5. Dilma Rousseff, a trajet\u00f3ria de uma mulher pol\u00edtica em imagens &#8211; Tatiana Scali Abritta<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Narrativas midi\u00e1ticas das m\u00eddias alternativas e micropol\u00edtica. &#8211; Karen Dannenhauer e Maria Luiza Cardinale Baptista<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: Amanda Rezende Lopes<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Coordena\u00e7\u00e3o: Anderson Melo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-ksjfoqo3__item-kemop2b8\" class=\"comp-ksjfoqo3 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-ksjfoqo3__item-kemop2b8\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-ksjfoqo3__item-kemop2b8\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-ksjfoqo3__item-kemop2b8inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-ksjfoqo3__item-kemop2b8inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-ksjfoqoc__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoc wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">15:45 \u2013 17:45<\/h3>\n<\/div>\n<div id=\"comp-kstehcso__item-kemop2b8\" class=\"comp-kstehcso\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-ksjfoqoe1__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-ksjfoqoe1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 3: Insurg\u00eancias feministas<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. O corpo feminizado latino em fotoperformances: uma hip\u00f3tese de leitura pela est\u00e9tica feminista decolonial &#8211; Angie Biondi<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2. Sementes &#8211; Mulheres Pretas no Poder: visualidade e narrativas insurgentes de mulheres afrolatinas contra colonialidade do poder e do g\u00eanero &#8211; Andrea Rosendo da Silva e Carolinne Mendes da Silva<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. Zines em sala de aula: uma retomada de narrativas &#8211; Ayodele Freire<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. A express\u00e3o da cultura de representatividade: an\u00e1lise do megaevento Beychella &#8211; Jana\u00edna Vanessa Indai\u00e1 da Silva, J\u00e9ssica Clemente de Sousa Silva, Let\u00edcia B\u00e1rbara Leite de Moura, Viviane Veiga Shibaki e Fernanda Castilho<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">5. Parindo imagens de resist\u00eancia: representa\u00e7\u00f5es de mulheres negras em Elek\u00f4 &#8211; Vivyane Garbelini Cardoso<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Migrantes bolivianas na pandemia: o WhatsApp como ferramenta de sobreviv\u00eancia \u2013 Elisa Canjani<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">7. Pode a Subalterna Falar? Uma reflex\u00e3o sobre o silenciamento feminino a partir das experi\u00eancias no N\u00facleo de Express\u00e3o Feminina da Faculdade de Direito da USP &#8211; Danielly de Souza Oliveira e Adriana Marcondes Machado<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: Viviane Shibaki<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Coordena\u00e7\u00e3o: Anderson Melo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"comp-kstefz5w\" class=\"comp-kstefz5w\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxc2is\" class=\"BaOVQ8 tz5f0K comp-kskxc2is wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">26\/08 \u2013 Quinta-feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kskxbssn\" class=\" comp-kskxbssn wixui-repeater\">\n<div class=\"E6jjcn\" role=\"list\">\n<div class=\"VM7gjN\">\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxbsti__item1\" class=\"comp-kskxbsti YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxbsti__item1\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxbsti__item1\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxbsti__item1inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxbsti__item1inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxbstk3__item1\" class=\"BaOVQ8 tz5f0K comp-kskxbstk3 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">9:00 &#8211; 11:00<\/span><\/h3>\n<\/div>\n<div id=\"comp-kstes9u5__item1\" class=\"comp-kstes9u5\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxbstn1__item1\" class=\"BaOVQ8 tz5f0K comp-kskxbstn1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 4: Masculino e feminino<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. A evolu\u00e7\u00e3o das representa\u00e7\u00f5es da intimidade masculina na publicidade (1900-1960): um olhar hist\u00f3rico e semi\u00f3tico &#8211; Leo Mozdzenski<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2. Um espelho da sociedade atual: transtornos alimentares e meninas adolescentes &#8211; Iara Luzia Henriques Pessoa<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. Tecendo masculinidades em performance &#8211; Bruno Ribeiro Novaes, Cristiane dos Santos Souza<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. A reprodu\u00e7\u00e3o de padr\u00f5es de feminilidade a partir de chatbots: o caso da rob\u00f4 Fabi Grossi &#8211; Let\u00edcia Sabbatini<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">5. Corpo vestido como comunica\u00e7\u00e3o de g\u00eanero: comparativos entre a linguagem neutra pela desconstru\u00e7\u00e3o &#8211; Vinicius Alves de Almeida<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o e Coordena\u00e7\u00e3o &#8211; Cl\u00e1udia Lago<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxbsti__item-kemop07k\" class=\"comp-kskxbsti YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxbsti__item-kemop07k\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxbsti__item-kemop07k\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxbsti__item-kemop07kinlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxbsti__item-kemop07kinlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxbstk3__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-kskxbstk3 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">13:30 &#8211; 15:30<\/span><\/h3>\n<\/div>\n<div id=\"comp-kstes9u5__item-kemop07k\" class=\"comp-kstes9u5\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxbstn1__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-kskxbstn1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 5: Transgeneridades\/Queer<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. A transexualidade em Grey\u2019s Anatomy: da invisibilidade ao ativismo midi\u00e1tico &#8211; Anderson Luiz Melo<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2. N\u00e3o ela: uma trajet\u00f3ria transmasculina biodram\u00e1tica &#8211; Oliver Ol\u00edvia<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. Discurso pedag\u00f3gico em g\u00eanero e sexualidade: perspectivas Queer no paradigma da Educomunica\u00e7\u00e3o &#8211; Davi Lopes Mota<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. Quadrinhos Queer: resist\u00eancia por meio das escreviv\u00eancias &#8211; Daniela dos Santos Domingues Marino 5. Entre dildos e desejos: reflex\u00f5es a partir de Linn da Quebrada &#8211; Rafael Pinheiro Souza<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Por uma leitura queer do Cinema Marginal &#8211; Henrique Rodrigues Marques<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o \u2013 Dani Marino<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Coordena\u00e7\u00e3o \u2013 Janaina Gallo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxbsti__item-kemop2b8\" class=\"comp-kskxbsti YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxbsti__item-kemop2b8\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxbsti__item-kemop2b8\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxbsti__item-kemop2b8inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxbsti__item-kemop2b8inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxbstk3__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-kskxbstk3 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">15:45 \u2013 17:45<\/h3>\n<\/div>\n<div id=\"comp-kstes9u5__item-kemop2b8\" class=\"comp-kstes9u5\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxbstn1__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-kskxbstn1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 6: Mulheres e representa\u00e7\u00f5es ficcionais e art\u00edsticas<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. As rela\u00e7\u00f5es entre as mulheres na reda\u00e7\u00e3o jornal\u00edstica da revista fict\u00edcia \u201cRunway\u201d: perspectivas de g\u00eanero em o Diabo Veste Prada &#8211; Gabriel Bhering, Veruska Yasmim Pai\u00e3o Rocha e Iluska Coutinho<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">2. Uma an\u00e1lise discursiva acerca da sexualidade da personagem Laura no filme \u201cA Partilha\u201d &#8211; Paula Neves Tannous Dib, Domitila Shizue Kawakami Gonzaga, Carla Guanaes Lorenzi<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">3. A representa\u00e7\u00e3o da autoria feminina nas adapta\u00e7\u00f5es de Little Women &#8211; Fernanda Martins Ferreira de Araujo<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">4. Entre figueiras e depress\u00e3o: Sylvia Plath em tr\u00eas tempos &#8211; Luana Balieiro Cosme e Let\u00edcia Portella Milan<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">5. As mulheres de Chytilov\u00e1: No cinema e na televis\u00e3o atrav\u00e9s dos sentidos &#8211; Esther Imp\u00e9rio Hamburger e Luiza Wollinger Delfino<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Promo\u00e7\u00e3o da emin\u00eancia criativa em mulheres artistas visuais: estudo transcultural &#8211; Maria C\u00e9lia Bruno Mundim<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o \u2013 Luiza Wollinger Delfino<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Coordena\u00e7\u00e3o \u2013 Janaina Gallo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"comp-kskxgcmw\" class=\"BaOVQ8 tz5f0K comp-kskxgcmw wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">27\/08 \u2013 Sexta-Feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kskxgqa8\" class=\" comp-kskxgqa8 wixui-repeater\">\n<div class=\"E6jjcn\" role=\"list\">\n<div class=\"VM7gjN\">\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxgqb71__item1\" class=\"comp-kskxgqb71 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxgqb71__item1\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxgqb71__item1\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxgqb71__item1inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxgqb71__item1inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxgqbe4__item1\" class=\"BaOVQ8 tz5f0K comp-kskxgqbe4 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">9:30 &#8211; 11:30<\/span><\/h3>\n<\/div>\n<div id=\"comp-ksunknfw__item1\" class=\"comp-ksunknfw\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxgqbg3__item1\" class=\"BaOVQ8 tz5f0K comp-kskxgqbg3 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 7: Maternidades e sexualidades<br class=\"wixui-rich-text__text\" \/>1. \u201cQuando a m\u00e3e \u00e9 presa a casa cai\u201d: uma an\u00e1lise do processo de separa\u00e7\u00e3o de mulheres-m\u00e3es e<br class=\"wixui-rich-text__text\" \/>seus beb\u00eas em situa\u00e7\u00e3o de c\u00e1rcere- Luiza Ferreira e Adriana Marcondes Machado<br class=\"wixui-rich-text__text\" \/>2. \u201cU\u00e9, nera b\u00ean\u00e7\u00e3o?\u201d: tens\u00f5es da normatividade materna em grupos de mulheres sem filhos no<br class=\"wixui-rich-text__text\" \/>Facebook durante a pandemia de Covid-19 &#8211; Ana Luiza de Figueiredo Souza<br class=\"wixui-rich-text__text\" \/>3. M\u00e3es em home office: a altera\u00e7\u00e3o das rotinas de trabalho e cuidados sob uma perspectiva<br class=\"wixui-rich-text__text\" \/>organizacional &#8211; Lorena de Andrade Trindade<br class=\"wixui-rich-text__text\" \/>4. &#8220;Voc\u00ea pode colocar a m\u00e3o l\u00e1 sim&#8221;: pensando a ginecologia aut\u00f4noma a partir de alguns zines &#8211;<br class=\"wixui-rich-text__text\" \/>Aline \u00c2ngela Victoria Ribeiro<br class=\"wixui-rich-text__text\" \/>5. Luvas e velcro, processos art\u00edsticos em mulheres que amam mulheres &#8211; Violeta Adelita Ribeiro<br class=\"wixui-rich-text__text\" \/>Sutili<br class=\"wixui-rich-text__text\" \/>6. O amor entre mulheres no interdito &#8211; Monalisa Almeida Cesetti Gomyde<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o \u2013 Elisa Canjani<br class=\"wixui-rich-text__text\" \/>Coordena\u00e7\u00e3o \u2013 Evelyn Kazan<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxgqb71__item-kemop07k\" class=\"comp-kskxgqb71 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxgqb71__item-kemop07k\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxgqb71__item-kemop07k\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxgqb71__item-kemop07kinlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxgqb71__item-kemop07kinlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxgqbe4__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-kskxgqbe4 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">13:30 &#8211; 15:30<\/span><\/h3>\n<\/div>\n<div id=\"comp-ksunknfw__item-kemop07k\" class=\"comp-ksunknfw\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxgqbg3__item-kemop07k\" class=\"BaOVQ8 tz5f0K comp-kskxgqbg3 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 8: Pornografias e dissid\u00eancias<br class=\"wixui-rich-text__text\" \/>1. Analisando o cinema de sexo: apontamentos sobre a p\u00f3s- pornografia e a pornografia<br class=\"wixui-rich-text__text\" \/>mainstream &#8211; Vera Milhome Vasques<br class=\"wixui-rich-text__text\" \/>2. Sem Capa: pedagogias da sexualidade em tensionamento &#8211; Maur\u00edcio Jo\u00e3o Vieira Filho<br class=\"wixui-rich-text__text\" \/>3. Uma cena porn\u00f4: o encontro entre a pornografia e o teatro nas performances do N\u00facleo do<br class=\"wixui-rich-text__text\" \/>Olho &#8211; Dadu Maria Figlioulo de Albuquerque<br class=\"wixui-rich-text__text\" \/>4. Narrativas de mulheres bissexuais: desafios e potencialidades na trajet\u00f3ria de constru\u00e7\u00e3o e<br class=\"wixui-rich-text__text\" \/>viv\u00eancia de suas sexualidades &#8211; Milena Jorge de Oliveira, Domitila Shizue Kawakami Gonzaga,Carla<br class=\"wixui-rich-text__text\" \/>Guanaes Lorenzi<br class=\"wixui-rich-text__text\" \/>5. Videoativismo, dissid\u00eancias sexuais e de g\u00eanero na produ\u00e7\u00e3o da escola de audiovisual Al Borde &#8211;<br class=\"wixui-rich-text__text\" \/>J\u00e9ssica Faria Ribeiro<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. O lugar do homoerotismo masculino na transi\u00e7\u00e3o pol\u00edtica da ditadura para a democracia: a revista Spartacus (1987-1990)<br class=\"wixui-rich-text__text\" \/>Victor Melo Pereira<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: J\u00e9ssica Faria Ribeiro<br class=\"wixui-rich-text__text\" \/>Coordena\u00e7\u00e3o: Isabella Bergo Crosta<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Zc7IjY\" role=\"listitem\">\n<div id=\"comp-kskxgqb71__item-kemop2b8\" class=\"comp-kskxgqb71 YzqVVZ wixui-repeater__item\">\n<div id=\"bgLayers_comp-kskxgqb71__item-kemop2b8\" class=\"MW5IWV\" data-hook=\"bgLayers\">\n<div class=\"LWbAav Kv1aVt\" data-testid=\"colorUnderlay\"><\/div>\n<div id=\"bgMedia_comp-kskxgqb71__item-kemop2b8\" class=\"VgO9Yg\"><\/div>\n<\/div>\n<div class=\"\" data-mesh-id=\"comp-kskxgqb71__item-kemop2b8inlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"comp-kskxgqb71__item-kemop2b8inlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-kskxgqbe4__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-kskxgqbe4 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">15:45 \u2013 17:45<\/h3>\n<\/div>\n<div id=\"comp-ksunknfw__item-kemop2b8\" class=\"comp-ksunknfw\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxgqbg3__item-kemop2b8\" class=\"BaOVQ8 tz5f0K comp-kskxgqbg3 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa 9: Mulheres e jornalismos<br class=\"wixui-rich-text__text\" \/>1. Informa\u00e7\u00e3o, g\u00eanero e conhecimento: o aborto na pauta da R\u00e1dio C\u00e2mara de Bras\u00edlia &#8211; Juliana<br class=\"wixui-rich-text__text\" \/>Gobbi Betti<br class=\"wixui-rich-text__text\" \/>2. M\u00eddia, g\u00eanero e direitos humanos: uma an\u00e1lise a partir da metodologia GMMP &#8211; Janaina Soares<br class=\"wixui-rich-text__text\" \/>Gallo<br class=\"wixui-rich-text__text\" \/>3. Jornalismo Musical e interface de g\u00eanero &#8211; uma proposta para a constru\u00e7\u00e3o de um panorama<br class=\"wixui-rich-text__text\" \/>diverso na cr\u00edtica musical &#8211; Marcia Scapat\u00edcio da Silva<br class=\"wixui-rich-text__text\" \/>4. Narrativas da (re)Exist\u00eancia: um estudo sobre a viol\u00eancia de g\u00eanero contra jornalistas nas<br class=\"wixui-rich-text__text\" \/>reda\u00e7\u00f5es de Natal (RN) &#8211; Jadeanny Arruda Silva dos Santos e Maria do Socorro Furtado Veloso<br class=\"wixui-rich-text__text\" \/>5. Redes de informa\u00e7\u00f5es transgressoras: uma an\u00e1lise das p\u00e1ginas Portal Catarinas (Brasil) e<br class=\"wixui-rich-text__text\" \/>Feminacida (Argentina) no Instagram &#8211; Isabella Bergo Crosta<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">6. Feminismo, jornalismo de peito aberto e m\u00eddia sonora: an\u00e1lise das pautas abordadas no podcast Mamilos &#8211; Gessiela Nascimento da Silva, Michely da Silva Alves e Roseane Arcanjo Pinheiro<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><br class=\"wixui-rich-text__text\" \/><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: Juliana Gobbi Betti<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Coordena\u00e7\u00e3o: Isabella Bergo Crosta<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"comp-kskxmvd1\" class=\"BaOVQ8 tz5f0K comp-kskxmvd1 wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">18:00 \u2013 19:00<\/h3>\n<\/div>\n<div id=\"comp-ksunmdoj\" class=\"comp-ksunmdoj\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kskxmve0\" class=\"BaOVQ8 tz5f0K comp-kskxmve0 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Encerramento: Cinco anos de FZDZ G\u00eanero na ECA<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Cl\u00e1udia Lago<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Fernanda Castilho<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Gean Gon\u00e7alves<\/span><\/p>\n<\/div>\n<div id=\"comp-kskxoh7s\" class=\"BaOVQ8 tz5f0K comp-kskxoh7s wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\">Bordas do FZDZ G\u00eanero na ECA<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kssvupn0\" class=\"BaOVQ8 tz5f0K comp-kssvupn0 wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">30\/08 \u2013 Segunda-Feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kssvvnny\" class=\"BaOVQ8 tz5f0K comp-kssvvnny wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">17:00 \u2013 18:00<\/h3>\n<\/div>\n<div id=\"comp-ksunn3vf\" class=\"comp-ksunn3vf\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kssvvnp1\" class=\"BaOVQ8 tz5f0K comp-kssvvnp1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa: G\u00eanero e Educa\u00e7\u00e3o<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. As pessoas e as coisas: Metodologias cr\u00edticas em educa\u00e7\u00e3o &#8211; Gabriela Moura e Amana Mattos<br class=\"wixui-rich-text__text\" \/>2. O espectro de g\u00eanero e sexualidade: para al\u00e9m do binarismo na Educa\u00e7\u00e3o &#8211; Rafaela Treib-Stella.<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"wixGuard wixui-rich-text__text\">\u200b<\/span><\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o: Elisa Canjani\u00a0<\/span><\/p>\n<\/div>\n<div id=\"comp-kssvylca\" class=\"BaOVQ8 tz5f0K comp-kssvylca wixui-rich-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_3 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">31\/08 \u2013 Ter\u00e7a-Feira<\/span><\/span><\/h2>\n<\/div>\n<div id=\"comp-kssvycnd\" class=\"BaOVQ8 tz5f0K comp-kssvycnd wixui-rich-text\" data-testid=\"richTextElement\">\n<h3 class=\"font_5 wixui-rich-text__text\">17:00 \u2013 18:00<\/h3>\n<\/div>\n<div id=\"comp-ksunnbpz\" class=\"comp-ksunnbpz\">\n<div class=\"StylableButton2545352419__container\"><span class=\"StylableButton2545352419__label wixui-button__label\" data-testid=\"stylablebutton-label\">Assistir<\/span><\/div>\n<\/div>\n<div id=\"comp-kssvycoh\" class=\"BaOVQ8 tz5f0K comp-kssvycoh wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Mesa: Transbordamentos<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">1. Casamento L\u00e9sbico e Homonormatividade no Brasil &#8211; M\u00f4nica Fran\u00e7a<br class=\"wixui-rich-text__text\" \/>2. Superf\u00edcies de g\u00eanero e sexualidade: arquitetura como molde identit\u00e1rio &#8211; Marina Gomes da Silva Telles, Juliana Rodrigues Soares, Pedro Henrique Vilela.<br class=\"wixui-rich-text__text\" \/>3. Mulheres em movimento como um duplo Outro: uma mirada a partir da psicologia construtivista semi\u00f3tico-cultural e feminista decolonial para a quest\u00e3o do ref\u00fagio &#8211; Carolina Moura Figueiredo.<\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\"><span class=\"wixGuard wixui-rich-text__text\">\u200b<\/span><\/span><\/p>\n<p class=\"font_9 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Modera\u00e7\u00e3o:\u00a0<\/span><span class=\"wixui-rich-text__text\">Let\u00edcia Barros\u00a0<\/span><\/p>\n<\/div>\n<div data-mesh-id=\"comp-ksjfoqnrinlineContent-wedge-10\"><\/div>\n<div data-mesh-id=\"comp-ksjfoqnrinlineContent-wedge-14\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<footer id=\"SITE_FOOTER_WRAPPER\" class=\"SITE_FOOTER_WRAPPER\" tabindex=\"-1\">\n<div id=\"SITE_FOOTER\" class=\"xU8fqS SITE_FOOTER wixui-footer\" tabindex=\"-1\">\n<div class=\"_C0cVf\">\n<div class=\"_4XcTfy\" data-testid=\"screenWidthContainerBg\"><\/div>\n<\/div>\n<div class=\"U4Bvut\">\n<div class=\"G5K6X8\">\n<div class=\"gUbusX\" data-testid=\"screenWidthContainerBgCenter\"><\/div>\n<\/div>\n<div class=\"CJF7A2\">\n<div class=\"\" data-mesh-id=\"SITE_FOOTERinlineContent\" data-testid=\"inline-content\">\n<div data-mesh-id=\"SITE_FOOTERinlineContent-gridContainer\" data-testid=\"mesh-container-content\">\n<div id=\"comp-izp85ptf\" class=\"BaOVQ8 tz5f0K comp-izp85ptf wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_8 wixui-rich-text__text\"><span class=\"color_15 wixui-rich-text__text\">O presente projeto tem como objetivo aprofundar a percep\u00e7\u00e3o da Alteridade como constitutiva das rela\u00e7\u00f5es humanas, criando a\u00e7\u00f5es de extens\u00e3o e cultura e espa\u00e7os de discuss\u00e3o\/problematiza\u00e7\u00e3o sobre as diferen\u00e7as de g\u00eanero, \u00e9tnico\/raciais, classe, etc, ancorados em pressupostos educomunicativos, no interior da Escola de Comunica\u00e7\u00f5es e Artes da USP (ECA\/USP).<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/footer>\n","protected":false},"excerpt":{"rendered":"<p>A Escola de Comunica\u00e7\u00f5es e Artes, por meio do projeto Diversidade na ECA e do grupo de pesquisa AlterGen, com apoio da Comiss\u00e3o de Direitos Humanos e do PPGCOM da ECA\/USP, promove entre os dias 25 e 31 de agosto de 2021 a quinta edi\u00e7\u00e3o do encontro FZDZ G\u00eanero na ECA, reunindo pesquisadoras e pesquisadores dos estudos de g\u00eanero e sexualidade na interface com as comunica\u00e7\u00f5es e as artes. Programa\u00e7\u00e3o completa O encontro, em virtude das medidas de restri\u00e7\u00e3o da pandemia da Covid-19, se dar\u00e1 de forma totalmente remota\/online, a exemplo do que j\u00e1 aconteceu em 2020. \u200b TODAS AS ATIVIDADES TER\u00c3O TRANSMISS\u00c3O SIMULT\u00c2NEA NO YOUTUBE DO DIVERSIDADE NA ECA ACESSE:\u00a0https:\/\/www.youtube.com\/DiversidadenaECA 24\/08 \u2013 Ter\u00e7a-Feira Pr\u00e9-evento: Resultados do GMMP 09h30 \u00e0s 11h30 Assistir Mesa de abertura \u201cGMMP 2020 Brasil: a representa\u00e7\u00e3o de g\u00eanero na m\u00eddia brasileira\u201d\u00a0 Apresenta\u00e7\u00e3o: Eliz\u00e2ngela Carvalho, coordenadora do GMMP 2020 no Brasil, jornalista e doutoranda em Ci\u00eancias da Comunica\u00e7\u00e3o na Universidade de Coimbra. Debatedoras:Samira de Castro, segunda vice-presidente da Fenaj e representante da Diretoria Executiva naComiss\u00e3o Nacional de Mulheres da Fenaj e da Rede de Jornalistas e Comunicadoras com vis\u00e3o deG\u00eanero e Ra\u00e7a;Jaqueline Gomes de Jesus, professora do Instituto Federal do RJ e presidenta da ABEH &#8211; Associa\u00e7\u00e3oBrasileira [&#8230;]<\/p>\n","protected":false},"author":826,"featured_media":0,"parent":219,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-633","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/pages\/633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/users\/826"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/comments?post=633"}],"version-history":[{"count":2,"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/pages\/633\/revisions"}],"predecessor-version":[{"id":841,"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/pages\/633\/revisions\/841"}],"up":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/pages\/219"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/diversaeca\/wp-json\/wp\/v2\/media?parent=633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}