{"id":1350,"date":"2023-07-06T11:03:19","date_gmt":"2023-07-06T13:03:19","guid":{"rendered":"https:\/\/sites.usp.br\/gaia\/?page_id=1350"},"modified":"2023-08-11T10:36:53","modified_gmt":"2023-08-11T12:36:53","slug":"producao","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/gaia\/en\/producao\/","title":{"rendered":"Outputs"},"content":{"rendered":"Some of the academic and artistic productions carried out individually or collectively by GAIA members.
\nGAIA authors are highlighted in bold<\/strong>.<\/p>\n

 <\/p>\n

TEXTS<\/p>\n

Living with images from large-scale data sets: A critical pedagogy for scaling down<\/a>
\nPhotographs journal, vol. 16, 2, 2023
\nAuthors: Gabriel Pereira<\/b> and Bruno Moreschi<\/b><\/p>\n

We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North<\/a>
\nMedia International Australia journal, v. 183, 1, 2022
\nAuthors: Bruno Moreschi<\/b>, Gabriel Pereira<\/b>, Andr\u00e9 Mintz and Giselle Beiguelman<\/b><\/p>\n

From Banal Surveillance to Function Creep: Automated License Plate Recognition (ALPR) in Denmark<\/a>
\nSurveillance & Society journal, v. 20, 3, 2022
\nAuthors: Gabriel Pereira<\/b> and Christoph Raetzsch<\/p>\n

Historical continuum and norms in art collections and datasets<\/a>
\nModes: Art History Magazine, v. 6, 2, 2022
\nAuthors: Bruno Moreschi<\/b>, Amanda Jurno<\/b> and Giselle Beiguelman<\/b><\/p>\n

Apple Memories and Automated Memory-Making: The Networked Image Inside the iPhone Chip<\/a>
\nDigital Culture & Society journal, vol. 7, 2, 2022
\nAuthor: Gabriel Pereira<\/b><\/p>\n

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management<\/a>
\nNew Media & Society journal, vol. 24, 7, 2022
\nAuthors: Rafael Grohmann<\/b>, Gabriel Pereira<\/b>, Abel Guerra and Ludmilla Costhek Abilio<\/p>\n

A imagem-mensagem: cultura visual e design dissidente nas redes<\/a>
\nPhD thesis, Faculty of Architecture and Urbanism at the University of S\u00e3o Paulo (FAUUSP), supervision by Giselle Beiguelman, 2022
\nAuthor: Didiana Prata<\/b><\/p>\n

The museum with only walls: an involuntary memorial of Rio de Janeiro\u2019s National Museum on Instagram<\/a>
\nChapter for the book Memorial Museum in the Digital Age, ed. Victoria Walden, Reframe publisher. University of Sussex, 2022
\nAuthors: Giselle Beiguelman<\/b> and Nathalia Lavigne<\/b><\/p>\n

Contested visibilities: artistic convergences on cloud computing<\/a>
\nAnnals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History \u2013 International Symposium on Innovation in Interactive Media; 21#ART \u2013 International Art and Technology Meeting; 9th Balance-Unbalance – art + science x technology = environment \/ responsibility, Chile, 2022
\nAuthor: Felipe Mamone<\/b><\/p>\n

A curadoria e o museu virtual: aproxima\u00e7\u00f5es, precedentes, possibilidades<\/a>
\nAnnals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History, v.1, 2022, Campinas: Galo\u00e1, 2022.
\nAuthor: Felipe Mamone<\/b><\/p>\n

Aindassim rimos<\/a>
\nRosa Magazine, 5, 2022
\nAuthor: Gabriel Francisco Lemos<\/b><\/p>\n

Quem v\u00ea?<\/a>
\nRosa Magazine, 5, 2022
\nAuthor: Bruno Moreschi<\/b>, Bernardo Fontes<\/b> and Caroline Carrion<\/p>\n

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco<\/a>
\nDigital Culture & Society journal, vol. 7, 2, 2021
\nAuthors: Vinicius Ariel Arruda dos Santos<\/b>, Amanda Jurno<\/b>, Didiana Prata<\/b>, Monique Lemos<\/b> and Lucas Sequeira Nunes<\/b>.<\/p>\n

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision<\/a>
\nAI & Society journal, v., 2021
\nAuthors: Gabriel Pereira<\/b> and Bruno Moreschi<\/b>.<\/p>\n

Using AI to Classify Instagram’s Dissident Images<\/a>
\nLessons to Learn? Past Design Experiences and Contemporary Design Practices, Proceedings of the ICDHS 12th International Conference on Design History and Design Studies, 2020
\nAuthors: Didiana Prata<\/b>, Fabio Cozman<\/b> and Gustavo Polleti<\/p>\n

Interlocu\u00e7\u00f5es cr\u00edticas e criativas entre design, arte e a cidade instrumentalizada<\/a>
\nProceedings of the VI International Symposium LAVITS: Asymmetries and (In)Visibilities: Surveillance, Gender and Race. Salvador, 2019
\nAuthor: Renato Furquim Vry<\/b><\/p>\n

 <\/p>\n

PRESENTATIONS<\/p>\n

Randomness, creativity and noise<\/a>
\nCreative AI – Theory & Practice, Creative AI Lab, King’s College London \/ Serpentine Galleries, 2023
\nAuthor: Rodrigo Faustini<\/b><\/p>\n

Pequena anarqueologia do noise na anima\u00e7\u00e3o<\/a>
\nAnais do II ExperimentAnima – National Meeting of Experimental Animation, Curitiba, 2021
\nAuthor: Rodrigo Faustini<\/b><\/p>\n

Occupying the Archives: Agency Over Images and Folksonomy developed through Collaborative Initiatives
\n<\/a>Lessons Learned? Transcultural Perspectives in Curating and Pedagogies, organized by Worlding Public Cultures: The Arts and Social Innovation, Heidelberg University, Japanisches Palais, Staatliche Kunstsammlungen Dresden, 2022.
\nAuthor: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

ARTISTIC PROJECTS<\/p>\n

Latent Space<\/a>
\nProject for spatial installation, binaural electroacoustic study, 2021
\nArtist: Gabriel Francisco Lemos<\/b><\/p>\n

Another 33rd S\u00e3o Paulo Art Biennial<\/a>
\nWebsite, AI experiences, video, photography, sound, texts, etc.
\nArtists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira<\/strong>, Guilherme Falc\u00e3o and Nina Bamberg<\/p>\n

Exch w\/ Turkers<\/a>
\nWebsite, project for the aarea platform
\nArtists: Bruno Moreschi<\/b>, Bernardo Fontes<\/b>, Gabriel Pereira<\/b> and Guilherme Falc\u00e3o<\/p>\n

demonumenta<\/a>
\nWebsite, AI experience, 3D modeling, etc.
\nPedagogical project of the Faculty of Architecture and Urbanism of the University of S\u00e3o Paulo, in collaboration with C4AI \u2013 Inova USP, CITI \u2013 USP, Museu Paulista da USP, MIT Open Documentary Lab, PISA and co-realization of the Pro-Rectory of Culture and Extension from USP.
\nGAIA participants: Giselle Beiguelman, Andrey Koens, Bruno Moreschi, Didiana Prata, Amanda Jurno, Gabriel Francisco Lemos<\/b> and Bernardo Fontes<\/b>.
\nFull team here.<\/a><\/p>\n

Ditamapa
\n<\/a>website, 2021
\nArtists: Andrey Koens<\/b> and Giselle Beiguelman<\/b><\/p>\n

 <\/p>\n

ART EXHIBITIONS (participation as an artist)<\/p>\n

Na terra da Garoa<\/a> (solo exhibition)
\nInstituto de Artes da UNESP, S\u00e3o Paulo, 2023
\nArtista: Andrey Koens<\/b><\/p>\n

BioMedia: The Age of Media with Life-like Behavior<\/a>
\nZKM, Center for Art and Media Karlsruhe, 2021
\nArtists: Giselle Beiguelman<\/b>, Bruno Moreschi<\/b> and Bernardo Fontes<\/b><\/p>\n

 <\/p>\n

ART EXHIBITION (curated)<\/p>\n

T\u00e1ticas de Desaparecimento<\/a>
\nPa\u00e7o das Artes. Collective exhibition – 2021 Season of Projects.
\nArtists: Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Hon\u00f3rio.
\nCurator: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

ORGANIZATION OF EVENTS AND PUBLICATIONS<\/p>\n

Technologies of Critical Conscientization (ConCricTec)<\/a>
\nArtist residency at the Center for Arts, Design and Social Research, Casa do Povo, 2023
\nOrganizers: Dalida Maria Benfield<\/b>, Gabriel Pereira, Bruno Moreschi <\/b>and Christopher A Bratton
\nGAIA facilitators and\/or speakers: Silvana Bahia<\/b> and Giselle Beiguelman
\n<\/b>GAIA participants: Helena Tourinho, Luiza Futuro, Monique Lemos, Nathalia Lavigne<\/b> and Felipe Mamone<\/b><\/p>\n

Affecting Technologies, Machining Intelligences<\/a>
\nWorkshop at GAIA and Institute of Advanced Studies at USP + book
\nEditors: Dalida Maria Benfield<\/b>, Kay Ye, Bruno Moreschi<\/b> and Gabriel Pereira<\/b>Some of the academic and artistic productions carried out individually or collectively by GAIA members.
\nGAIA authors are highlighted in bold<\/strong>.<\/p>\n

 <\/p>\nSome of the academic and artistic productions carried out individually or collectively by GAIA members.
\nGAIA authors are highlighted in bold<\/strong>.<\/p>\n

 <\/p>\n

TEXTS<\/p>\n

Living with images from large-scale data sets: A critical pedagogy for scaling down<\/a>
\nPhotographs journal, vol. 16, 2, 2023
\nAuthors: Gabriel Pereira<\/b> and Bruno Moreschi<\/b><\/p>\n

We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North<\/a>
\nMedia International Australia journal, v. 183, 1, 2022
\nAuthors: Bruno Moreschi<\/b>, Gabriel Pereira<\/b>, Andr\u00e9 Mintz and Giselle Beiguelman<\/b><\/p>\n

From Banal Surveillance to Function Creep: Automated License Plate Recognition (ALPR) in Denmark<\/a>
\nSurveillance & Society journal, v. 20, 3, 2022
\nAuthors: Gabriel Pereira<\/b> and Christoph Raetzsch<\/p>\n

Historical continuum and norms in art collections and datasets<\/a>
\nModes: Art History Magazine, v. 6, 2, 2022
\nAuthors: Bruno Moreschi<\/b>, Amanda Jurno<\/b> and Giselle Beiguelman<\/b><\/p>\n

Apple Memories and Automated Memory-Making: The Networked Image Inside the iPhone Chip<\/a>
\nDigital Culture & Society journal, vol. 7, 2, 2022
\nAuthor: Gabriel Pereira<\/b><\/p>\n

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management<\/a>
\nNew Media & Society journal, vol. 24, 7, 2022
\nAuthors: Rafael Grohmann<\/b>, Gabriel Pereira<\/b>, Abel Guerra and Ludmilla Costhek Abilio<\/p>\n

A imagem-mensagem: cultura visual e design dissidente nas redes<\/a>
\nPhD thesis, Faculty of Architecture and Urbanism at the University of S\u00e3o Paulo (FAUUSP), supervision by Giselle Beiguelman, 2022
\nAuthor: Didiana Prata<\/b><\/p>\n

The museum with only walls: an involuntary memorial of Rio de Janeiro\u2019s National Museum on Instagram<\/a>
\nChapter for the book Memorial Museum in the Digital Age, ed. Victoria Walden, Reframe publisher. University of Sussex, 2022
\nAuthors: Giselle Beiguelman<\/b> and Nathalia Lavigne<\/b><\/p>\n

Contested visibilities: artistic convergences on cloud computing<\/a>
\nAnnals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History \u2013 International Symposium on Innovation in Interactive Media; 21#ART \u2013 International Art and Technology Meeting; 9th Balance-Unbalance – art + science x technology = environment \/ responsibility, Chile, 2022
\nAuthor: Felipe Mamone<\/b><\/p>\n

A curadoria e o museu virtual: aproxima\u00e7\u00f5es, precedentes, possibilidades<\/a>
\nAnnals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History, v.1, 2022, Campinas: Galo\u00e1, 2022.
\nAuthor: Felipe Mamone<\/b><\/p>\n

Aindassim rimos<\/a>
\nRosa Magazine, 5, 2022
\nAuthor: Gabriel Francisco Lemos<\/b><\/p>\n

Quem v\u00ea?<\/a>
\nRosa Magazine, 5, 2022
\nAuthor: Bruno Moreschi<\/b>, Bernardo Fontes<\/b> and Caroline Carrion<\/p>\n

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco<\/a>
\nDigital Culture & Society journal, vol. 7, 2, 2021
\nAuthors: Vinicius Ariel Arruda dos Santos<\/b>, Amanda Jurno<\/b>, Didiana Prata<\/b>, Monique Lemos<\/b> and Lucas Sequeira Nunes<\/b>.<\/p>\n

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision<\/a>
\nAI & Society journal, v., 2021
\nAuthors: Gabriel Pereira<\/b> and Bruno Moreschi<\/b>.<\/p>\n

Using AI to Classify Instagram’s Dissident Images<\/a>
\nLessons to Learn? Past Design Experiences and Contemporary Design Practices, Proceedings of the ICDHS 12th International Conference on Design History and Design Studies, 2020
\nAuthors: Didiana Prata<\/b>, Fabio Cozman<\/b> and Gustavo Polleti<\/p>\n

Interlocu\u00e7\u00f5es cr\u00edticas e criativas entre design, arte e a cidade instrumentalizada<\/a>
\nProceedings of the VI International Symposium LAVITS: Asymmetries and (In)Visibilities: Surveillance, Gender and Race. Salvador, 2019
\nAuthor: Renato Furquim Vry<\/b><\/p>\n

 <\/p>\n

PRESENTATIONS<\/p>\n

Randomness, creativity and noise<\/a>
\nCreative AI – Theory & Practice, Creative AI Lab, King’s College London \/ Serpentine Galleries, 2023
\nAuthor: Rodrigo Faustini<\/b><\/p>\n

Pequena anarqueologia do noise na anima\u00e7\u00e3o<\/a>
\nAnais do II ExperimentAnima – National Meeting of Experimental Animation, Curitiba, 2021
\nAuthor: Rodrigo Faustini<\/b><\/p>\n

Occupying the Archives: Agency Over Images and Folksonomy developed through Collaborative Initiatives
\n<\/a>Lessons Learned? Transcultural Perspectives in Curating and Pedagogies, organized by Worlding Public Cultures: The Arts and Social Innovation, Heidelberg University, Japanisches Palais, Staatliche Kunstsammlungen Dresden, 2022.
\nAuthor: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

ARTISTIC PROJECTS<\/p>\n

Latent Space<\/a>
\nProject for spatial installation, binaural electroacoustic study, 2021
\nArtist: Gabriel Francisco Lemos<\/b><\/p>\n

Another 33rd S\u00e3o Paulo Art Biennial<\/a>
\nWebsite, AI experiences, video, photography, sound, texts, etc.
\nArtists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira<\/strong>, Guilherme Falc\u00e3o and Nina Bamberg<\/p>\n

Exch w\/ Turkers<\/a>
\nWebsite, project for the aarea platform
\nArtists: Bruno Moreschi<\/b>, Bernardo Fontes<\/b>, Gabriel Pereira<\/b> and Guilherme Falc\u00e3o<\/p>\n

demonumenta<\/a>
\nWebsite, AI experience, 3D modeling, etc.
\nPedagogical project of the Faculty of Architecture and Urbanism of the University of S\u00e3o Paulo, in collaboration with C4AI \u2013 Inova USP, CITI \u2013 USP, Museu Paulista da USP, MIT Open Documentary Lab, PISA and co-realization of the Pro-Rectory of Culture and Extension from USP.
\nGAIA participants: Giselle Beiguelman, Andrey Koens, Bruno Moreschi, Didiana Prata, Amanda Jurno, Gabriel Francisco Lemos<\/b> and Bernardo Fontes<\/b>.
\nFull team here.<\/a><\/p>\n

Ditamapa
\n<\/a>website, 2021
\nArtists: Andrey Koens<\/b> and Giselle Beiguelman<\/b><\/p>\n

 <\/p>\n

ART EXHIBITIONS (participation as an artist)<\/p>\n

Na terra da Garoa<\/a> (solo exhibition)
\nInstituto de Artes da UNESP, S\u00e3o Paulo, 2023
\nArtista: Andrey Koens<\/p>\n

BioMedia: The Age of Media with Life-like Behavior<\/a>
\nZKM, Center for Art and Media Karlsruhe, 2021
\nArtists: Giselle Beiguelman<\/b>, Bruno Moreschi<\/b> and Bernardo Fontes<\/b><\/p>\n

 <\/p>\n

ART EXHIBITION (curated)<\/p>\n

T\u00e1ticas de Desaparecimento<\/a>
\nPa\u00e7o das Artes. Collective exhibition – 2021 Season of Projects.
\nArtists: Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Hon\u00f3rio.
\nCurator: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

ORGANIZATION OF EVENTS AND PUBLICATIONS<\/p>\n

Technologies of Critical Conscientization (ConCricTec)<\/a>
\nArtist residency at the Center for Arts, Design and Social Research, Casa do Povo, 2023
\nOrganizers: Dalida Maria Benfield<\/b>, Gabriel Pereira, Bruno Moreschi <\/b>and Christopher A Bratton
\nGAIA facilitators and\/or speakers: Silvana Bahia<\/b> and Giselle Beiguelman
\n<\/b>GAIA participants: Helena Tourinho, Luiza Futuro, Monique Lemos, Nathalia Lavigne<\/b> and Felipe Mamone<\/b><\/p>\n

Affecting Technologies, Machining Intelligences<\/a>
\nWorkshop at GAIA and Institute of Advanced Studies at USP + book
\nEditors: Dalida Maria Benfield<\/b>, Kay Ye, Bruno Moreschi<\/b> and Gabriel Pereira<\/b>Some of the academic and artistic productions carried out individually or collectively by GAIA members.
\nGAIA authors are highlighted in bold<\/strong>.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Some of the academic and artistic productions carried out individually or collectively by GAIA members. GAIA authors are highlighted in bold.   TEXTS Living with images from large-scale data sets: A critical pedagogy for scaling down Photographs journal, vol. 16, 2, 2023 Authors: Gabriel Pereira and Bruno Moreschi We’ve always been antagonistic: algorithmic resistances and […]<\/p>\n","protected":false},"author":283,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1350","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/pages\/1350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/comments?post=1350"}],"version-history":[{"count":4,"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/pages\/1350\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/pages\/1350\/revisions\/1404"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/gaia\/en\/wp-json\/wp\/v2\/media?parent=1350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}