{"id":1350,"date":"2023-07-06T11:03:19","date_gmt":"2023-07-06T13:03:19","guid":{"rendered":"https:\/\/sites.usp.br\/gaia\/?page_id=1350"},"modified":"2023-08-11T10:36:53","modified_gmt":"2023-08-11T12:36:53","slug":"producao","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/gaia\/producao\/","title":{"rendered":"Produ\u00e7\u00e3o"},"content":{"rendered":"Algumas das produ\u00e7\u00f5es acad\u00eamicas e art\u00edsticas realizadas individualmente ou coletivamente por integrantes do GAIA.
\nOs autores do GAIA est\u00e3o destacados em negrito<\/strong>.<\/p>\n

TEXTOS<\/p>\n

Living with images from large-scale data sets: A critical pedagogy for scaling down.<\/a>
\nPhotographies journal, v. 16, 2, 2023
\nAutores: Gabriel Pereira<\/b> e Bruno Moreschi<\/b>.<\/p>\n

We\u2019ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North<\/a>
\nMedia International Australia journal, v. 183, 1, 2022
\nAutores: Bruno Moreschi, Gabriel Pereira, Andr\u00e9 Mintz <\/b>e Giselle Beiguelman.<\/b><\/p>\n

From Banal Surveillance to Function Creep: Automated License Plate Recognition (ALPR) in Denmark<\/a>
\nSurveillance & Society journal, v. 20, 3, 2022
\nAutores: Gabriel Pereira<\/b> e Christoph Raetzsch.<\/b><\/p>\n

Continuum hist\u00f3rico e normatiza\u00e7\u00f5es em acervos de arte e datasets<\/a>
\nModos: Revista de Hist\u00f3ria da Arte, v. 6, 2, 2022
\nAutores: Bruno Moreschi, Amanda Jurno<\/b> e Giselle Beiguelman<\/b><\/p>\n

Apple Memories and Automated Memory-Making: The Networked Image Inside the iPhone Chip<\/a>
\nDigital Culture & Society journal, v. 7, 2, 2022
\nAutor: Gabriel Pereira<\/b><\/p>\n

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management<\/a>
\nNew Media & Society journal, v. 24, 7, 2022
\nAutores: Rafael Grohmann<\/b>, Gabriel Pereira<\/b>, Abel Guerra e Ludmilla Costhek Abilio.<\/p>\n

A imagem-mensagem: cultura visual e design dissidente nas redes<\/a>
\nTese de doutorado, Faculdade de Arquitetura e Urbanismo na Universidade de S\u00e3o Paulo (FAUUSP), sob orienta\u00e7\u00e3o de Giselle Beiguelman, <\/b>2022
\nAutora: Didiana Prata<\/b><\/p>\n

The museum with only walls: an involuntary memorial of Rio de Janeiro\u2019s National Museum on Instagram<\/a>
\nCap\u00edtulo do livro Memorial Museum in the Digital Age, ed. Victoria Walden, Reframe publisher. University of Sussex, 2022
\nAutoras: Giselle Beiguelman<\/b> e Nathalia Lavigne<\/b><\/p>\n

Visibilidades Contestadas: Converg\u00eancias Art\u00edsticas sobre Computa\u00e7\u00e3o em Nuvem
\n<\/a>Anais do XII Congresso Internacional do Programa de P\u00f3s-Gradua\u00e7\u00e3o Interunidades em Est\u00e9tica e Hist\u00f3ria da Arte \u2013 Simp\u00f3sio Internacional de Inova\u00e7\u00e3o em M\u00eddias Interativas; 21#ART \u2013 Encontro Internacional de Arte e Tecnologia; 9th Balance-Unbalance – art + science x technology = environment \/ responsibility, Chile, 2022
\nAutor: Felipe Mamone<\/b><\/p>\n

A curadoria e o museu virtual: aproxima\u00e7\u00f5es, precedentes, possibilidades<\/a>
\nAnais do XII Congresso Internacional do Programa de P\u00f3s-Gradua\u00e7\u00e3o Interunidades em Est\u00e9tica e Hist\u00f3ria da Arte, v.1, 2022, Campinas: Galo\u00e1, 2022.
\nAutor: Felipe Mamone<\/b><\/p>\n

Aindassim rimos
\n<\/a>Revista Rosa, 5, 2022
\nAutor: Gabriel Francisco Lemos<\/b><\/p>\n

Quem v\u00ea?<\/a>
\nRevista Rosa, 5, 2022
\nAutor: Bruno Moreschi<\/b>, Bernardo Fontes<\/b> e Caroline Carrion<\/p>\n

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco<\/a>
\nDigital Culture & Society journal, v. 7, 2, 2021
\nAutores: Vinicius Ariel Arruda dos Santos<\/b>, Amanda Jurno<\/b>, Didiana Prata<\/b>, Monique Lemos<\/b> e Lucas Sequeira Nunes<\/b><\/p>\n

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision<\/a>
\nAI & Society journal, v., 2021
\nAutor: Gabriel Pereira<\/b> e Bruno Moreschi<\/b><\/p>\n

Using AI to Classify Instagram\u2019s Dissident Images
\n<\/a>Lessons to Learn? Past Design Experiences and Contemporary Design Practices, Proceedings of the ICDHS 12th International Conference on Design History and Design Studies, 2020
\nAutores: Didiana Prata<\/b>, Fabio Cozman<\/b> e Gustavo Polleti<\/p>\n

Interlocu\u00e7\u00f5es cr\u00edticas e criativas entre design, arte e a cidade instrumentalizada<\/a>
\nAnais do VI Simp\u00f3sio Internacional LAVITS: Assimetrias e (In)Visibilidades: Vigil\u00e2ncia, G\u00eanero e Ra\u00e7a. Salvador, 2019
\nAutor: Renato Furquim Vry<\/b><\/p>\n

 <\/p>\n

APRESENTA\u00c7\u00d5ES<\/p>\n

Randomness, creativity and noise
\n<\/a>Creative AI – Theory & Practice, Creative AI Lab, King’s College London \/ Serpentine Galleries, 2023
\nAutor: Rodrigo Faustini<\/b><\/p>\n

Pequena anarqueologia do noise na anima\u00e7\u00e3o
\n<\/a>Anais do II ExperimentAnima – Encontro Nacional de Anima\u00e7\u00e3o Experimental, Curitiba, 2021
\nAutor: Rodrigo Faustini<\/b><\/p>\n

Occupying the Archives: Agency Over Images and Folksonomy developed through Collaborative Initiatives
\n<\/a>Lessons Learned? Transcultural Perspectives in Curating and Pedagogies, organiza\u00e7\u00e3o de Worlding Public Cultures: The Arts and Social Innovation, Heidelberg University, Japanisches Palais, Staatliche Kunstsammlungen Dresden, 2022.
\nAutora: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

PROJETOS ART\u00cdSTICOS<\/p>\n

Espa\u00e7o Latente
\n<\/a>Projeto para instala\u00e7\u00e3o espacial, binaural electroacoustic study, 2021.
\nArtista: Gabriel Francisco Lemos\u00a0<\/b><\/p>\n

Outra 33 Bienal de S\u00e3o Paulo
\n<\/a>Website, experi\u00eancias com IA, v\u00eddeo, fotografia, som, textos etc.
\nArtistas: Bruno Moreschi<\/b>, Bernardo Fontes<\/b>, Gabriel Pereira<\/b>, Guilherme Falc\u00e3o e Nina Bamberg<\/p>\n

Exch w\/ Turkers
\n<\/a>Website, projeto para a plataforma aarea
\nArtistas: Bruno Moreschi<\/b>, Bernardo Fontes<\/b>, Gabriel Pereira<\/b> e Guilherme Falc\u00e3o<\/p>\n

demonumenta
\n<\/a>Website, experi\u00eancia com IAs, modelagem 3D etc.
\nProjeto pedag\u00f3gico da Faculdade de Arquitetura e Urbanismo da Universidade de S\u00e3o Paulo, em colabora\u00e7\u00e3o com C4AI \u2013 Inova USP, CITI \u2013 USP, Museu Paulista da USP, MIT Open Documentary Lab, PISA e co-realiza\u00e7\u00e3o da Pr\u00f3 Reitoria de Cultura e Extens\u00e3o da USP.
\nParticipantes do GAIA: Giselle Beiguelman, Andrey Koens, Bruno Moreschi, Didiana Prata, Amanda Jurno, Gabriel Francisco Lemos<\/b> e Bernardo Fontes<\/b>.
\nEquipe completa aqui<\/a>.<\/p>\n

Ditamapa
\n<\/a>website, 2021
\nArtistas: Andrey Koens <\/b>e Giselle Beiguelman<\/b><\/p>\n

 <\/p>\n

EXPOSI\u00c7\u00d5ES DE ARTE (participa\u00e7\u00e3o como artista)<\/p>\n

Na terra da Garoa<\/a> (exposi\u00e7\u00e3o individual)
\nInstituto de Artes da UNESP, S\u00e3o Paulo, 2023
\nArtista: Andrey Koens<\/b><\/p>\n

BioMedia: The Age of Media with Life-like Behavior
\n<\/a>ZKM, Center for Art and Media, Karlsruhe, 2022
\nArtistas: Giselle Beiguelman<\/b>, Bruno Moreschi<\/b> e Bernardo Fontes<\/b>
\n<\/b><\/p>\n

 <\/p>\n

EXPOSI\u00c7\u00c3O DE ARTE (curadoria)<\/p>\n

T\u00e1ticas de Desaparecimento
\n<\/a>Pa\u00e7o das Artes. Exposi\u00e7\u00e3o coletiva – Temporada de Projetos, 2021
\nArtistas: Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa e Thiago Hon\u00f3rio.
\nCuradora: Nathalia Lavigne<\/b><\/p>\n

 <\/p>\n

ORGANIZA\u00c7\u00c3O DE EVENTOS E DE PUBLICA\u00c7\u00d5ES<\/p>\n

Conscientiza\u00e7\u00f5es Cr\u00edticas Tecnol\u00f3gicas (ConCricTec)
\n<\/a>Resid\u00eancia art\u00edstica do Center for Arts, Design and Social Research (CAD+SR), Casa do Povo, 2023
\nOrganizadores: Dalida Maria Benfield<\/b>, Gabriel Pereira<\/b>, Bruno Moreschi<\/b> e Christopher A Bratton
\nFacilitadores e\/ou palestrantes do GAIA: Silvana Bahia<\/b> e Giselle Beiguelman<\/b>
\nParticipantes do GAIA: Helena Tourinho, Luiza Futuro, Monique Lemos, Nathalia Lavigne <\/b>e Felipe Mamone<\/b><\/p>\n

Afetando Tecnologias, Maquiando Intelig\u00eancias
\n<\/a>Workshop no GAIA e Instituto de Estudos Avan\u00e7ados da USP + livro
\nEditores: Dalida Maria Benfield<\/b>, Kay Ye, Bruno Moreschi<\/b> e Gabriel Pereira<\/b>","protected":false},"excerpt":{"rendered":"

Algumas das produ\u00e7\u00f5es acad\u00eamicas e art\u00edsticas realizadas individualmente ou coletivamente por integrantes do GAIA. Os autores do GAIA est\u00e3o destacados em negrito. TEXTOS Living with images from large-scale data sets: A critical pedagogy for scaling down. Photographies journal, v. 16, 2, 2023 Autores: Gabriel Pereira e Bruno Moreschi. We\u2019ve always been antagonistic: algorithmic resistances and […]<\/p>\n","protected":false},"author":283,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1350","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/pages\/1350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/comments?post=1350"}],"version-history":[{"count":4,"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/pages\/1350\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/pages\/1350\/revisions\/1404"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/gaia\/wp-json\/wp\/v2\/media?parent=1350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}