{"id":199,"date":"2022-01-28T15:11:20","date_gmt":"2022-01-28T18:11:20","guid":{"rendered":"https:\/\/sites.usp.br\/greco\/?page_id=199"},"modified":"2022-02-27T16:53:20","modified_gmt":"2022-02-27T19:53:20","slug":"diosnio-machado-neto","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/greco\/diosnio-machado-neto\/","title":{"rendered":"Di\u00f3snio Machado Neto"},"content":{"rendered":"

\"\"Professor Livre-Docente (n\u00edvel 2) da Escola de Artes, Ci\u00eancias e Humanidades da Universidade de S\u00e3o Paulo (EACH-USP). \u00c9 professor do programa de P\u00f3s-Gradua\u00e7\u00e3o em Musicologia do Departamento de M\u00fasica da ECA-USP, onde ministra as disciplinas de An\u00e1lise da Historiografia Musical Brasileira e Estudos de Significa\u00e7\u00e3o Musical e do Programa de P\u00f3s Gradua\u00e7\u00e3o em Mudan\u00e7a Social e Participa\u00e7\u00e3o Pol\u00edtica (PROMUSPP) da EACH-USP. Professor Convidado do Mag\u00edster en Musicolog\u00eda Latinoamericana da Universidad Alberto Hurtado (Chile). Possui gradua\u00e7\u00e3o em Bacharel em M\u00fasica – Habilita\u00e7\u00e3o Instrumento – pela Pontificia Universidad Catolica de Chile (1992), mestrado e doutorado em Musicologia pela Universidade de S\u00e3o Paulo (2001; 2008), tendo como orientadores Jos\u00e9 Eduardo Martins (mestrado) e M\u00e1rio Ficarelli (doutorado). Teve como mentores de suas pesquisas R\u00e9gis Duprat e M\u00e1rio Vieira de Carvalho. \u00c9 membro do Italian and Ibero American Relationships Study Group (RIIA), sediado no IMLA-Veneza (Istituto per lo studio della musica latinoamericana durante il periodo coloniale). Recebeu Men\u00e7\u00e3o Honrosa no Pr\u00eamio Capes de Tese 2009 pela tese “Administrando a Festa: M\u00fasica e Iluminismo no Brasil Colonial”. \u00c9 fundador da Associa\u00e7\u00e3o Regional para Am\u00e9rica Latina e Caribe da International Musicology Society (ARLAC-IMS) e da Associa\u00e7\u00e3o Brasileira de Musicologia (ABMUS). Coordena o Laborat\u00f3rio de Musicologia (LAMUS). Nele desenvolve a Linha de Pesquisa Processos Hist\u00f3ricos, Ideol\u00f3gicos e Discursivos da M\u00fasica Brasileira. Estas linhas se desdobram em projetos de pesquisa sobre Estudos de Significa\u00e7\u00e3o Musical com foco nos estudos dos processos ret\u00f3ricos na m\u00fasica do per\u00edodo colonial brasileiro; estudos historiogr\u00e1ficos e estudos das organiza\u00e7\u00e3o band\u00edsticas de S\u00e3o Paulo.<\/p>\n

Associate Professor (level 2) at the School of Arts, Sciences and Humanities at the University of S\u00e3o Paulo (EACH-USP). He is a professor at the Graduate Program in Musicology at the Department of Music at ECA-USP, where he teaches the disciplines of Analysis of Brazilian Musical Historiography and Studies of Musical Meaning and at the Graduate Program in Social Change and Political Participation (PROMUSPP) at EACH-USP. Guest Professor of the Mag\u00edster in Latin American Musicology at Universidad Alberto Hurtado (Chile). He holds a Bachelor’s degree in Music – Instrument Qualification – from the Pontificia Universidad Catolica de Chile (1992), a Master’s and Doctorate in Musicology from the University of S\u00e3o Paulo (2001; 2008), having as advisors Jos\u00e9 Eduardo Martins (Master’s) and M\u00e1rio Ficarelli (PhD. ). He had as mentors in his research R\u00e9gis Duprat and M\u00e1rio Vieira de Carvalho. He is a member of the Italian and Ibero American Relationships Study Group (RIIA), based at the IMLA-Venice (Istituto per lo studio della musica latinoamericana during the colonial period). He received an Honorable Mention at the Capes Thesis Award 2009 for the thesis “Managing the Party: Music and Enlightenment in Colonial Brazil”. He is founder of the Regional Association for Latin America and the Caribbean of the International Musicology Society (ARLAC-IMS) and the Brazilian Association of Musicology (ABMUS). He coordinates the Musicology Laboratory (LAMUS). In it, he develops the Research Line Historical, Ideological and Discursive Processes of Brazilian Music. These lines unfold in research projects on Studies of Musical Meaning focusing on the studies of rhetorical processes in the music of the Brazilian colonial period; historiographical studies and studies of bandistic organizations in S\u00e3o Paulo.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Professor Livre-Docente (n\u00edvel 2) da Escola de Artes, Ci\u00eancias e Humanidades da Universidade de S\u00e3o Paulo (EACH-USP). \u00c9 professor do programa de P\u00f3s-Gradua\u00e7\u00e3o em Musicologia do Departamento de M\u00fasica da ECA-USP, onde ministra as disciplinas de An\u00e1lise da Historiografia Musical Brasileira e Estudos de Significa\u00e7\u00e3o Musical e do Programa de P\u00f3s Gradua\u00e7\u00e3o em Mudan\u00e7a Social e Participa\u00e7\u00e3o Pol\u00edtica (PROMUSPP) da EACH-USP. Professor Convidado do Mag\u00edster en Musicolog\u00eda Latinoamericana da Universidad Alberto Hurtado (Chile). Possui gradua\u00e7\u00e3o em Bacharel em M\u00fasica – Habilita\u00e7\u00e3o Instrumento – pela Pontificia Universidad Catolica de Chile (1992), mestrado e doutorado em Musicologia pela Universidade de S\u00e3o Paulo (2001; 2008), tendo como orientadores Jos\u00e9 Eduardo Martins (mestrado) e M\u00e1rio Ficarelli (doutorado). Teve como mentores de suas pesquisas R\u00e9gis Duprat e M\u00e1rio Vieira de Carvalho. \u00c9 membro do Italian and Ibero American Relationships Study Group (RIIA), sediado no IMLA-Veneza (Istituto per lo studio della musica latinoamericana durante il periodo coloniale). Recebeu Men\u00e7\u00e3o Honrosa no Pr\u00eamio Capes de Tese 2009 pela tese “Administrando a Festa: M\u00fasica e Iluminismo no Brasil Colonial”. \u00c9 fundador da Associa\u00e7\u00e3o Regional para Am\u00e9rica Latina e Caribe da International Musicology Society (ARLAC-IMS) e da Associa\u00e7\u00e3o Brasileira de Musicologia (ABMUS). Coordena o Laborat\u00f3rio de Musicologia (LAMUS). Nele […]<\/p>\n","protected":false},"author":22449,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-199","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/users\/22449"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/comments?post=199"}],"version-history":[{"count":3,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/199\/revisions"}],"predecessor-version":[{"id":336,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/199\/revisions\/336"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/media?parent=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}