{"id":49,"date":"2021-05-25T16:23:25","date_gmt":"2021-05-25T19:23:25","guid":{"rendered":"https:\/\/sites.usp.br\/greco\/?page_id=49"},"modified":"2022-02-27T15:39:44","modified_gmt":"2022-02-27T18:39:44","slug":"projetos","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/greco\/projetos\/","title":{"rendered":"Projetos\/Projects"},"content":{"rendered":"

Projetos<\/strong><\/p>\n

O GReCo trabalha em m\u00f3dulos tem\u00e1ticos interdisciplinares para os quais conta com a participa\u00e7\u00e3o de professores de universidades, professores de escolas de m\u00fasica, m\u00fasicos de corpos est\u00e1veis, estudantes e convidados do exterior.<\/p>\n

Projects<\/strong><\/em><\/p>\n

GReCo works in interdisciplinary thematic modules for which university professors, music school professors, musicians from professional groups, students and guests from abroad participate.<\/em><\/p>\n

Projeto dos G\u00eaneros Gregos na Polifonia Renascentista – A Diesis, \u03b4\u03af\u03b5\u03c3\u03b9\u03c2\u00a0<\/strong><\/p>\n

Project of Greek Genres in Renaissance Polyphony – The Diesis, \u03b4\u03af\u03b5\u03c3\u03b9\u03c2<\/strong><\/em><\/p>\n

Entre janeiro e abril de 2022, nossa equipe conduz um projeto de pesquisa que foca em composi\u00e7\u00f5es deixadas por Nichola Vicentino em seu “L’Antica Musica Ridotta alla Moderna Prattica” (1555) que exemplifica a aplica\u00e7\u00e3o dos tr\u00eas g\u00eaneros musicais gregos na Renascen\u00e7a: o diat\u00f4nico, o crom\u00e1tico e o enarm\u00f4nico. Este repert\u00f3rio \u00e9 particularmente desafiador por incluir a microtonalidade da “diesis”, que, para Vicentino, equivale a 1\/5 de tom. Os m\u00fasicos que participam junto da equipe de pesquisadores s\u00e3o:<\/p>\n

Between January and April, our team is conducting a research project that focuses on compositions left by Nichola Vicentino in her “L’Antica Musica Ridotta alla Moderna Prattica” (1555) which exemplifies the application of the three Greek musical genres during the Renaissance: the diatonic, the chromatic and the enharmonic. This repertoire is particularly challenging because it includes the microtonality of\u00a0 the “diesis”, which, for Vicentino, is equivalent to 1\/5 of a tone. The musicians participating in the research team are:<\/em><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Larissa Lacerda<\/strong><\/p>\n

Graduada em Canto L\u00edrico pela Universidade Federal da Bahia, em Salvador, foi cantora do Coro do Teatro Castro Alves, e membro do Camar\u00e1 Ensemble, grupo de m\u00fasica contempor\u00e2nea. Atuou em projetos corais internacionais no Chile e Alemanha em 2014 e 2018 sob reg\u00eancia de Helmuth Rilling, e desde 2014 \u00e9 integrante do Coral Paulistano, do\u00a0 Municipal. Participou do grupo de c\u00e2mara Sopro Continuum (de m\u00fasica historicamente informada), e atuou como solista junto a orquestras executando repert\u00f3rio colonial brasileiro, orat\u00f3rios (como Rappresentatione di anima et di corpo<\/i>, de Cavalieri,\u00a0Lauda per la Nativit\u00e1 del Signore<\/i>\u00a0de Respighi) e missas (como a\u00a0Missa Brevis em F<\/i>\u00a0de Mozart e a\u00a0Missa Brevis<\/i>\u00a0de Kodaly). Desde 2015 colabora com o GReCo como cantora.<\/p>\n

She holds a degree in Lyric Singing from the Federal University of Bahia, in Salvador, where she was a singer in the Castro Alves Theater Choir, and a member of the Camar\u00e1 Ensemble, a contemporary music group. She acted in international choral projects in Chile and Germany in 2014 and 2018 under the baton of Helmuth Rilling, and since 2014 she has been a member of the Coral Paulistano, at the Theatro Municipal. He participated in the chamber group Sopro Continuum (historically informed music), and acted as a soloist with orchestras performing Brazilian colonial repertoire, oratorios (such as Rappresentatione di anima et di corpo, by Cavalieri, Lauda per la Nativit\u00e1 del Signore by Respighi) and masses (such as Missa Brevis in F by Mozart and Missa Brevis by Kodaly). Since 2015 she collaborates with GReCo as a singer.<\/em><\/p>\n

\"\"<\/p>\n

Andrea Mischiatti<\/strong><\/p>\n

Mestra em M\u00fasica (2012) e licenciada em Educa\u00e7\u00e3o Musical (2008) pela UNESP. Concluiu o curso de Flauta Doce\/Forma\u00e7\u00e3o Avan\u00e7ada em M\u00fasica Antiga da EMESP (2017). Formou-se em Flauta Doce pela Escola Municipal de M\u00fasica de S\u00e3o Paulo (2007). Leciona em cursos de Licenciatura e Bacharelado em M\u00fasica (FAMOSP e UniSant’Anna) e Licenciatura em Pedagogia (FAMOSP). Ministra aulas de Flauta Doce no Programa Guri Santa Marcelina. Lecionou nos cursos de P\u00f3s-Gradua\u00e7\u00e3o\/Especializa\u00e7\u00e3o em Educa\u00e7\u00e3o Musical da FAINC e FAMOSP. Trabalhou como professora substituta de Flauta Doce na EMESP. Participa eventualmente, com o consort de flautas doces, do Grupo de Pesquisa em M\u00fasica da Renascen\u00e7a e Contempor\u00e2nea (GReCo). Tem se dedicado ao ensino, pesquisa e pr\u00e1ticas em Educa\u00e7\u00e3o Musical e Flauta Doce.<\/p>\n

Master in Music (2012) and degree in Music Education (2008) from UNESP. She completed the Recorder Course \/ Advanced Training in Early Music at EMESP (2017). She graduated in Flute from the Escola Municipal de M\u00fasica de S\u00e3o Paulo (2007). She teaches in Licentiate and Bachelor’s Degrees in Music (FAMOSP and UniSant’Anna) and Licentiate in Pedagogy (FAMOSP). She teaches Flute lessons at the Guri Santa Marcelina Program. She has taught in the Graduate\/Specialization courses in Music Education at FAINC and FAMOSP. She worked as a substitute flute teacher at EMESP. She eventually participates, with the recorder consort, in the Renaissance and Contemporary Music Research Group (GReCo). She has been dedicated to teaching, research and practices in Music Education and Recorder.<\/em><\/p>\n

\"\" Bernardo Toledo Piza<\/strong><\/p>\n

Iniciou seus estudos musicais nos Semin\u00e1rios de M\u00fasica Pr\u00f3 Arte. Sob a orienta\u00e7\u00e3o de Ricardo Kanji e Paulo Herculano. Graduou-se em flauta transversal na Escola de\u00a0Comunica\u00e7\u00f5es e Artes da USP sob\u00a0orienta\u00e7\u00e3o de Jean-N\u00f6el Saghaard. Especializou-se\u00a0em interpreta\u00e7\u00e3o de m\u00fasica barroca no Koninklijk Conservatorium voor Musik, em Haia \u2013 Holanda. Dedica-se desde 1969 \u00e0\u00a0execu\u00e7\u00e3o da m\u00fasica da Idade M\u00e9dia, da\u00a0Renascen\u00e7a\u00a0e de Barroco, bem como do ensino de flauta doce, flauta transversal barroca e interpreta\u00e7\u00e3o hist\u00f3rica da m\u00fasica barroca. Foi professor da Escola Municipal de M\u00fasica e da Universidade Estadual Paulista-Unesp. Atualmente colabora com o GReCO \u2013 Grupo de Pesquisa em M\u00fasica da\u00a0Renascen\u00e7a e Contempor\u00e2nea.<\/p>\n

He began his musical studies at the Pro Art Music Seminars. Under the guidance of Ricardo Kanji and Paulo Herculano. He graduated in flute at the School of Communications and Arts at USP under the supervision of Jean-N\u00f6el Saghaard. He specialized in interpreting baroque music at the Koninklijk Conservatorium voor Musik, in The Hague \u2013 Netherlands. Since 1969 he has been dedicated to the performance of music from the Middle Ages, the Renaissance and the Baroque, as well as teaching recorders, baroque transverse flute and historical interpretation of baroque music. He was a professor at the Municipal School of Music and at the Universidade Estadual Paulista-Unesp. He currently collaborates with GReCO \u2013 Research Group on Renaissance and Contemporary Music.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Projetos O GReCo trabalha em m\u00f3dulos tem\u00e1ticos interdisciplinares para os quais conta com a participa\u00e7\u00e3o de professores de universidades, professores de escolas de m\u00fasica, m\u00fasicos de corpos est\u00e1veis, estudantes e convidados do exterior. Projects GReCo works in interdisciplinary thematic modules for which university professors, music school professors, musicians from professional groups, students and guests from abroad participate. Projeto dos G\u00eaneros Gregos na Polifonia Renascentista – A Diesis, \u03b4\u03af\u03b5\u03c3\u03b9\u03c2\u00a0 Project of Greek Genres in Renaissance Polyphony – The Diesis, \u03b4\u03af\u03b5\u03c3\u03b9\u03c2 Entre janeiro e abril de 2022, nossa equipe conduz um projeto de pesquisa que foca em composi\u00e7\u00f5es deixadas por Nichola Vicentino em seu “L’Antica Musica Ridotta alla Moderna Prattica” (1555) que exemplifica a aplica\u00e7\u00e3o dos tr\u00eas g\u00eaneros musicais gregos na Renascen\u00e7a: o diat\u00f4nico, o crom\u00e1tico e o enarm\u00f4nico. Este repert\u00f3rio \u00e9 particularmente desafiador por incluir a microtonalidade da “diesis”, que, para Vicentino, equivale a 1\/5 de tom. Os m\u00fasicos que participam junto da equipe de pesquisadores s\u00e3o: Between January and April, our team is conducting a research project that focuses on compositions left by Nichola Vicentino in her “L’Antica Musica Ridotta alla Moderna Prattica” (1555) which exemplifies the application of the three Greek musical genres during the Renaissance: the diatonic, the […]<\/p>\n","protected":false},"author":22449,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/users\/22449"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":5,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/49\/revisions"}],"predecessor-version":[{"id":325,"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/pages\/49\/revisions\/325"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/greco\/wp-json\/wp\/v2\/media?parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}