{"id":3856,"date":"2024-01-29T15:57:44","date_gmt":"2024-01-29T18:57:44","guid":{"rendered":"https:\/\/sites.usp.br\/labartemidia\/?p=3856"},"modified":"2024-01-29T15:57:44","modified_gmt":"2024-01-29T18:57:44","slug":"palavras-cruzadas-crossword-contemporary-situated-speeches","status":"publish","type":"post","link":"https:\/\/sites.usp.br\/labartemidia\/en\/palavras-cruzadas-crossword-contemporary-situated-speeches\/","title":{"rendered":"Palavras Cruzadas (Crossword): Contemporary Situated Speeches"},"content":{"rendered":"<p>The installation Palavras Cruzadas (Crossword or intertwined speeches, in Portuguese) creates a listening space for 12 voices representing Brazilian minority struggles in resistance to centuries of colonial violence. More than a mapping or an overview of the struggles, the video installation produces a circle of subjectivities that dissent from the hegemonic chorus. It is not a question, however, of accounting for the expression of the voices of minorities, which are infinitely plural. Its a question of establishing a diagram of the power of the voices that are sometimes silenced, sometimes separated, affirming them in their singular protagonisms.<\/p>\n<p><a href=\"https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-819 size-large aligncenter\" src=\"https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754-1024x641.jpg\" alt=\"\" width=\"640\" height=\"401\" data-id=\"819\" srcset=\"https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754-1024x641.jpg 1024w, https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754-300x188.jpg 300w, https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754-768x481.jpg 768w, https:\/\/sites.usp.br\/labartemidia\/wp-content\/uploads\/sites\/472\/2019\/06\/L1182754-400x250.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>The diagram includes the Indigenous Movements, with David Karai; Quilombola, with TC Silva; Homeless, with Carmen Silva; the M\u00e3es de Maio (Mothers of May), with D\u00e9bora Silva; people in prison, with Dexter; the Prostitutes&#8217; Movement, with Lourdes Barreto; the Trans Movement, with Amara Moira; Deaf Culture, with Edinho Santos; the Secondary School Movement, with Marcela Jesus; Black Feminism, with Juliana Borges; the LGBT Movement, with J\u00e9ssica Tauane; and Immigrants, with Shambuyi Wetu.<\/p>\n<p>&nbsp;<\/p>\n<p>The project was developed by the artists <a href=\"https:\/\/sites.usp.br\/labartemidia\/equipe\/daniel-lima\/\">Daniel Lima<\/a>, \u00c9lida Lima and Felipe Teixeira, in partnership with LabArteM\u00eddia &#8211; Laborat\u00f3rio de Arte, M\u00eddia e Tecnologias Digitais.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The installation Palavras Cruzadas (Crossword or intertwined speeches, in Portuguese) creates a listening space for 12 voices representing Brazilian minority struggles in resistance to centuries of colonial violence. More than a mapping or an overview of the struggles, the video installation produces a circle of subjectivities that dissent from the hegemonic chorus. It is not<a href=\"https:\/\/sites.usp.br\/labartemidia\/en\/palavras-cruzadas-crossword-contemporary-situated-speeches\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":22519,"featured_media":823,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[33],"tags":[],"class_list":["post-3856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria-en"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/posts\/3856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/users\/22519"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/comments?post=3856"}],"version-history":[{"count":1,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/posts\/3856\/revisions"}],"predecessor-version":[{"id":3858,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/posts\/3856\/revisions\/3858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/media\/823"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/media?parent=3856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/categories?post=3856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.usp.br\/labartemidia\/wp-json\/wp\/v2\/tags?post=3856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}