{"id":401,"date":"2023-10-26T11:42:14","date_gmt":"2023-10-26T14:42:14","guid":{"rendered":"https:\/\/sites.usp.br\/latm\/?page_id=401"},"modified":"2025-05-13T13:11:30","modified_gmt":"2025-05-13T16:11:30","slug":"publicacoes","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/latm\/publicacoes\/","title":{"rendered":"Publica\u00e7\u00f5es"},"content":{"rendered":"<h1>Publica\u00e7\u00f5es<\/h1>\n<p>\u00c9 frequente que pesquisas e trabalhos realizados em \u00e1udio espacial no Brasil e no cone sul n\u00e3o sejam rastreados nem citados adequadamente na literatura cient\u00edfica. Isto acomete tanto as publica\u00e7\u00f5es de autores internacionais quanto as da comunidade Brasileira. O desconhecimento das pesquisas e inova\u00e7\u00f5es praticadas em nossas institui\u00e7\u00f5es compromete uma revis\u00e3o de literatura fidedigna, bem como o reconhecimento e cr\u00e9dito por realiza\u00e7\u00f5es alcan\u00e7adas antes em nossos projetos.<\/p>\n<p>Conhe\u00e7a melhor algumas de nossas publica\u00e7\u00f5es, em particular sobre \u00e1udio imersivo, o sistema AUDIENCE e aplica\u00e7\u00f5es, e como cit\u00e1-las.<\/p>\n<p>&nbsp;<\/p>\n<p>FARIA, Regis Rossi Alves. Auraliza\u00e7\u00e3o em ambientes audiovisuais imersivos. 2005. Tese (Doutorado em Sistemas Eletr\u00f4nicos) &#8211; Escola Polit\u00e9cnica, Universidade de S\u00e3o Paulo, S\u00e3o Paulo, 2005. <a href=\"https:\/\/doi:10.11606\/T.3.2005.tde-29092013-105249\">doi:10.11606\/T.3.2005.tde-29092013-105249<\/a>. Acesso em: 2025-03-27.<\/p>\n<p>FARIA, R. R. A. et al. \u00a0AUDIENCE &#8211; Audio Immersion Experiences in the CAVERNA Digital. In: SBCM 2005 &#8211; The 10th Brazilian Symposium on Computer Music (Current Frameworks for Music Information Representation), 2005, Belo Horizonte. Proceedings. 2005. p.106-117. Dispon\u00edvel em <a href=\"https:\/\/compmus.ime.usp.br\/sbcm\/2005\/papers\/tech-12476.html\">https:\/\/compmus.ime.usp.br\/sbcm\/2005\/papers\/tech-12476.html<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A. et al. Improving spatial perception through sound field simulation in VR. In: VECIMS 2005 &#8211; IEEE Conference on Virtual Environments, Human-Computer Interfaces and Measurement Systems, 2005, Giardini Naxos, Italy. Proceedings. 2005. p.103-108. doi: 10.1109\/VECIMS.2005.1567573. Dispon\u00edvel em <a href=\"http:\/\/doi.org\/10.1109\/VECIMS.2005.1567573\">doi.org\/10.1109\/VECIMS.2005.1567573<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A.; ZUFFO, J. A. An auralization engine adapting a 3D image source acoustic model to an Ambisonics coder for immersive virtual reality. In: AES 28th International Conference (The Future of Audio Technology \u2013 Surround and Beyond), 2006, Pitea, Sweden. Proceedings. 2006. p. 157-166. Dispon\u00edvel em <a href=\"http:\/\/www.aes.org\/e-lib\/browse.cfm?elib=13838\">http:\/\/www.aes.org\/e-lib\/browse.cfm?elib=13838<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>THOMAZ, L. F.; FARIA, R. R. A.; ZUFFO, M. K.; ZUFFO, J. A. \u00a0Orchestra spatialization using the AUDIENCE engine. In: ICMC 2006 (International Computer Music Conference), 2006, New Orleans. Proceedings. 2006. p. 266-269. Dispon\u00edvel em <a href=\"http:\/\/hdl.handle.net\/2027\/spo.bbp2372.2006.055\">http:\/\/hdl.handle.net\/2027\/spo.bbp2372.2006.055<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>THOMAZ, L. F.; FARIA, R. R. A.; ZUFFO, M. K.; ZUFFO, J. A. \u00a0Experimenta\u00e7\u00f5es de espacializa\u00e7\u00e3o orquestral sobre a arquitetura AUDIENCE. In: 4th AES Brazil Conference\/10th AES Brazil National Convention (4<sup>o<\/sup> Congresso de Engenharia de \u00c1udio da AES Brasil), S\u00e3o Paulo, 2006. Proceedings. 2006. p.72-77. Dispon\u00edvel em <a href=\"http:\/\/aesbrasil.org.br\/congressos\/anais\/\">http:\/\/aesbrasil.org.br\/congressos\/anais\/<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>THOMAZ, L. F.; FARIA, R. R. A. \u00a0A real time and interactive music spatialization system. In: 11<sup>o<\/sup> Simp\u00f3sio Brasileiro de Computa\u00e7\u00e3o Musical, S\u00e3o Paulo, 2007. Anais. S\u00e3o Paulo, 2007, p.121-132. Dispon\u00edvel em <a href=\"https:\/\/compmus.ime.usp.br\/sbcm\/2007\/portugues\/\">https:\/\/compmus.ime.usp.br\/sbcm\/2007\/portugues\/<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A. \u00a0AUDIENCE for Pd, a scene-oriented library for spatial audio. In: 4th International Pure Data Convention 2011, 2011, Weimar, Berlin. Proceedings of the 4th International Pure Data Convention 2011, 2011. Dispon\u00edvel em <a href=\"https:\/\/www.uni-weimar.de\/kunst-und-gestaltung\/wiki\/PDCON:Conference\">https:\/\/www.uni-weimar.de\/kunst-und-gestaltung\/wiki\/PDCON:Conference<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A. \u00a0AUDIENCE para Pd: uma biblioteca para a\u0301udio espacial orientada a cena sonora. In: 10<sup>o<\/sup> Congresso de Engenharia de A\u0301udio da AES Brasil, 2012, Sa\u0303o Paulo. Anais do 10<sup>o<\/sup> Congresso de Engenharia de A\u0301udio da AES Brasil. Rio de Janeiro: AES Brasil &#8211; Sociedade de Engenharia de A\u0301udio, 2012. p. 98-105. Dispon\u00edvel em <a href=\"http:\/\/aesbrasil.org.br\/congressos\/anais\/\">http:\/\/aesbrasil.org.br\/congressos\/anais\/<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>SILVA, M. J. ; SCHIAVONI, F. L. ; <a href=\"http:\/\/lattes.cnpq.br\/9990463602315076\">FARIA, R. R. A.<\/a>\u00a0 Programa\u00e7\u00e3o din\u00e2mica em Pure Data aplicada a Wave Field Synthesis. In: 12<sup>o<\/sup> Congresso de Engenharia de \u00c1udio e 18<sup>a<\/sup> Conven\u00e7\u00e3o AES Brasil EXPO 2014, 2014, S\u00e3o Paulo. Anais do 12<sup>o<\/sup> Congresso de Engenharia de \u00c1udio da AES Brasil. Rio de Janeiro: Sociedade de Engenharia de \u00c1udio, 2014. p. 55-60. Dispon\u00edvel em <a href=\"http:\/\/aesbrasil.org.br\/congressos\/anais\/\">http:\/\/aesbrasil.org.br\/congressos\/anais\/<\/a>. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A.; SILVA, M. J.\u00a0 A dynamic patch for wave field synthesis auralization. In: 11th International Symposium on Computer Music Multidisciplinary Research (CMMR 2015), 2015, Plymouth. Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research, 2015. p. 555-565. Dispon\u00edvel em https:\/\/www.researchgate.net\/publication\/278719270_A_dynamic_patch_for_wave_field_synthesis_auralization#fullTextFileContent. Acesso em: 01\/08\/2023.<\/p>\n<p>FARIA, R. R. A. The tempered space on the design of spatial musical instruments. In: Proceedings of the 18th International Congress on Sound and Vibration (ICSV18), International Institute of Acoustics and Vibration (IIAV). Rio de Janeiro, 2011. ISBN 978- 85-63243-02-7. Conference website at https:\/\/www.icsv18.org.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publica\u00e7\u00f5es \u00c9 frequente que pesquisas e trabalhos realizados em \u00e1udio espacial no Brasil e no cone sul n\u00e3o sejam rastreados nem citados adequadamente na literatura cient\u00edfica. Isto acomete tanto as publica\u00e7\u00f5es de autores internacionais quanto as da comunidade Brasileira. O desconhecimento das pesquisas e inova\u00e7\u00f5es praticadas em nossas institui\u00e7\u00f5es compromete uma revis\u00e3o de literatura fidedigna, [&hellip;]<\/p>\n","protected":false},"author":23652,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-401","page","type-page","status-publish","hentry","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/pages\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/users\/23652"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":4,"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/pages\/401\/revisions"}],"predecessor-version":[{"id":667,"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/pages\/401\/revisions\/667"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/latm\/wp-json\/wp\/v2\/media?parent=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}