{"id":182,"date":"2022-07-07T18:14:12","date_gmt":"2022-07-07T20:14:12","guid":{"rendered":"https:\/\/sites.usp.br\/otto\/?page_id=182"},"modified":"2022-07-07T18:14:12","modified_gmt":"2022-07-07T20:14:12","slug":"true-type-fonts","status":"publish","type":"page","link":"https:\/\/sites.usp.br\/otto\/true-type-fonts\/","title":{"rendered":"True Type Fonts"},"content":{"rendered":"

TRUE TYPE FONTS<\/span>

1. ELFIC FONTS<\/span>

1.1 – TENGWAR345: this true type font was designed in three versions (Tengwar3, Tengwar4, and Tengwar5) by me in 1994 using the program Fontographer. The idea was primarily inspired by an article published by Ronald E. Kyrmse [“QWERTY meets Feanor: The Tengwar Typewriter”, Quettar (Bulletin of the Linguistic Fellowship of the Tolkien Society) No. 21, pp. 3-5, 1984]. Click\u00a0<\/span>here<\/a>\u00a0to download the fonts and their corresponding keymapping [Tengwar345.zip (69 kB)].<\/span>

1.2 – TENGWAR HERENO: this true type font was first designed by me in 1994 with the name of Tengwar 04 (see above). Ronald E. Kyrmse redistributed and completed the font according to the standard keymapping proposed by Dan Smith; he also called the font like this because the proper name Otto is interpreted as a variant of Odo, from Old German “prosperity, riches”, in Quenya heren. Click\u00a0<\/span>here<\/a>\u00a0to download the font [Tengwar_Hereno.zip (25 kB)].<\/span><\/p>\n

    \n
  1. GERMAN (FRAKTUR) FONTS<\/li>\n<\/ol>\n

    2.1 \u2013 FETTE FRAKTUR.\u00a0Fette (meaning \u201cBold\u201d in German) Fraktur\u00a0was designed by Johann Christian Bauer in 1850. Another version was created in 1875 by the C.E. Weber Foundry in\u00a0Germany; the version here presented was published by the\u00a0Schriftgiesserei (\u201cType\u00a0Foundry\u201d)\u00a0Stempel AG, also in\u00a0Germany, in 1908. For the present ttf the program Fontographer was used.\u00a0Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [fette_fraktur.zip (217 kB)].<\/p>\n

    2.2 \u2013 GROBE FRAKTUR. Grobe (meaning \u201cCoarse\u201d in German) Fraktur was created using the program Fontographer. Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [grobe_fraktur.zip (292 kB)].<\/p>\n

    2.3 \u2013 LUTHERSCHE FRAKTUR. Luthersche Fraktur is a typeface that was originally designed by Erasmus Luther in 1708 and produced during many years by the Luther-Egenolffschen Schriftgiesserei in\u00a0Germany. The present ttf was made using the program Fontographer. Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [luthersche_fraktur.zip (206 kB)].<\/p>\n

    2.4 – MUENCHNER FRAKTUR. This Fraktur font (Muenchner Renaissance Fraktur) was originally created in 1885 by Heinz Koenig for the foundry of Genzsch & Heyse in\u00a0Germany. The present ttf was made using the program Fontographer. Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [muenchner_fraktur.zip (290 kB)].<\/p>\n

    2.5 \u2013 SCHMALE ANZEIGENSCHRIFT FRAKTUR. Schmale Anzeigenschrift (meaning \u201cThin advertisement writing\u201d in German) Fraktur was designed by Professor Rudolf Koch (1916-1923). The present ttf was made using the program Fontographer. Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [schmale_anzeigenschrift_fraktur.zip (228 kB)].<\/p>\n

    2.6 – SCHMALFETTE FRAKTUR. Schmalfette (meaning \u201cNarrow or thin bold\u201d in German) Fraktur was produced during many years by\u00a0the\u00a0Schriftgiesserei (\u201cType\u00a0Foundry\u201d)\u00a0Stempel AG\u00a0in\u00a0Germany.\u00a0The present ttf was made using the program Fontographer. Click\u00a0here<\/a>\u00a0to download three ttf versions (a normal, b thin, c thick) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b, c [schmale_anzeigenschrift_fraktur.zip (241 kB)].<\/p>\n

    2.7 \u2013 SUETTERLIN FRAKTUR. Suetterlin Fraktur or Deutsche Suetterlin Schrift (meaning \u201cGerman Suetterlin writing\u201d) was created in 1911 by Ludwig Suetterlin and used extensively in German elementary schools until the mid-forties. The present ttf was made using the program Fontographer. Click\u00a0here<\/a>\u00a0to download two ttf versions (a normal, b inclined or italic) and pdf text archives of key mapping, original bitmaps used to create the ttf font, and complete sample of all characters in versions a, b [suetterlin_fraktur.zip (180 kB)].<\/p>\n","protected":false},"excerpt":{"rendered":"

    TRUE TYPE FONTS1. ELFIC FONTS1.1 – TENGWAR345: this true type font was designed in three versions (Tengwar3, Tengwar4, and Tengwar5) by me in 1994 using the program Fontographer. The idea was primarily inspired by an article published by Ronald E. Kyrmse [“QWERTY meets Feanor: The Tengwar Typewriter”, Quettar (Bulletin of the Linguistic Fellowship of the […]<\/p>\n","protected":false},"author":23137,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-182","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/pages\/182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/users\/23137"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/comments?post=182"}],"version-history":[{"count":1,"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/pages\/182\/revisions"}],"predecessor-version":[{"id":183,"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/pages\/182\/revisions\/183"}],"wp:attachment":[{"href":"https:\/\/sites.usp.br\/otto\/wp-json\/wp\/v2\/media?parent=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}