{"id":4968,"date":"2022-12-19T01:50:28","date_gmt":"2022-12-19T03:50:28","guid":{"rendered":"https:\/\/sites.usp.br\/portalatinoamericano\/?p=4968"},"modified":"2024-02-23T16:59:23","modified_gmt":"2024-02-23T18:59:23","slug":"nue","status":"publish","type":"post","link":"https:\/\/sites.usp.br\/portalatinoamericano\/nue","title":{"rendered":"Nuevo Grupo, El"},"content":{"rendered":"Vivian Mart\u00ednez Tabares<\/span><\/p>\n

<\/p>\n

O grupo teatral venezuelano nasceu em setembro de 1967 em Caracas, fundado pelo dramaturgo de origem espanhola Alberto de Paz y Mateos. Este j\u00e1 havia sido fundador do Teatro Experimental no liceu Ferm\u00edn Toro, onde teve como alunos Rom\u00e1n Chalbaud e Nicol\u00e1s Curiel, com os quais encenou Federico Garc\u00eda Lorca, Eugene O\u2019Neill, Ram\u00f3n Valle-Incl\u00e1n, Miguel de Cervantes e uma not\u00e1vel\u00a0<\/span>Electra<\/span><\/i>, de S\u00f3focles, em 1955.<\/span><\/p>\n

El Nuevo Grupo foi organizado com o principal objetivo de difundir o autor venezuelano, cuja obra come\u00e7ava a consolidar-se. Foi influenciado pelas correntes experimentais e pelas teorias de Bertolt Brecht e Antonin Artaud. Com um repert\u00f3rio sustentado pela diversidade da obra de Isaac Chocr\u00f3n, Rom\u00e1n Chalbaud e Jos\u00e9 Ignacio Cabrujas \u2013 trio batizado por Lorenzo Batall\u00e9n como \u201ca sant\u00edssima trindade\u201d e fundadores do coletivo \u2013 surgiu \u00e0 margem de uma determinada est\u00e9tica teatral, como escreveu o pesquisador Leonardo Azparren Gimenez, marcado pela riqueza, pela complexidade e pelo ecletismo, assim como pelo interesse em ressaltar a rela\u00e7\u00e3o autor-ator.<\/span><\/p>\n

Sob a presid\u00eancia de Rom\u00e1n Chalbaud, levou ao conhecimento do p\u00fablico textos de dramaturgos j\u00e1 consagrados e, sobretudo, novos. Entre suas montagens est\u00e3o\u00a0<\/span>O.K<\/span><\/i>,\u00a0<\/span>La revoluci\u00f3n<\/span><\/i>,\u00a0<\/span>Alfabeto para analfabetos<\/span><\/i>,\u00a0<\/span>La m\u00e1xima felicidad<\/span><\/i>,\u00a0<\/span>El acompa\u00f1ante<\/span><\/i>,\u00a0<\/span>Mesopotamia<\/span><\/i>,\u00a0<\/span>Sim\u00f3n\u00a0<\/span><\/i>e\u00a0<\/span>Clipper<\/span><\/i>, de Chocr\u00f3n;\u00a0<\/span>Profundo<\/span><\/i>,\u00a0<\/span>Acto Cultural<\/span><\/i>,\u00a0<\/span>El d\u00eda que me quieras\u00a0<\/span><\/i>e\u00a0<\/span>El americano ilustrado<\/span><\/i>, de Cabrujas;\u00a0<\/span>El pez que fuma<\/span><\/i>,\u00a0<\/span>Rat\u00f3n en Ferreter\u00eda<\/span><\/i>,\u00a0<\/span>El viejo grupo\u00a0<\/span><\/i>e\u00a0<\/span>Todo bicho raro de u\u00f1a<\/span><\/i>, de Chalbaud. Al\u00e9m disso encenaram\u00a0<\/span>Resistencia\u00a0<\/span><\/i>e\u00a0<\/span>Los p\u00e1jaros se van con la muerte<\/span><\/i>, de Edilio Pe\u00f1a,\u00a0<\/span>Vida con Mam\u00e1<\/span><\/i>, de Elisa Lerner,\u00a0<\/span>El tirano Aguirre<\/span><\/i>, de Luis Britto Garc\u00eda,\u00a0<\/span>Rosa de la noche<\/span><\/i>, de Mariela Romero,\u00a0<\/span>Humboldt y Bompland,\u00a0taxidermistas<\/span><\/i>, de Ibsen Mart\u00ednez,\u00a0<\/span>Prueba de fuego<\/span><\/i>, de Ugo Ulive, e\u00a0<\/span>Golpes a mi puerta<\/span><\/i>, de Juan Carlos Gen\u00e9; assim como textos latino-americanos de Ricardo Talesnik, Jorge D\u00edaz, Carlos Gorostiza, Carlos Fuentes, Emilio Carballido e Griselda Gambaro, e estrangeiros de Moli\u00e8re, August Strindberg, Mrozeck, Franz Kroetz, Harold Pinter, Heiner M\u00fcller e Tom Sheppard. El Nuevo Grupo marcou as trajet\u00f3rias como diretores de Ugo Ulive, Armando Gotta, Enrique Porte, Cabrujas e Chalbaud.<\/span><\/p>\n

O grupo trabalhou no\u00a0<\/span>teatro<\/span>\u00a0infantil, a partir de personagens que Isaac Chocr\u00f3n criou em 1967, entre os quais se destacou\u00a0<\/span>Pepe Popoff<\/span><\/i>, interpretado pelo ator Antonio Brice\u00f1o, que se apresentava em companhia de Gloria Mir\u00f3s. Em 1968, estrearam\u00a0<\/span>La cucarachita Mart\u00ednez<\/span><\/i>, pe\u00e7a baseada num conto de Antonio Arr\u00e1iz, adaptado por Manuel Trujillo;\u00a0<\/span>O m\u00e1gico de Oz<\/span><\/i>, baseada no conto de Elizabeth Fuller Chapman, dirigida por Brice\u00f1o; e a com\u00e9dia musical\u00a0<\/span>La peque\u00f1a Lul\u00fa<\/span><\/i>, baseada no personagem de hist\u00f3rias em quadrinhos, dirigida por Gilberto Ag\u00fcero e protagonizada por Mariela Romero, uma montagem inovadora, com\u00a0<\/span>m\u00fasica<\/span><\/a>\u00a0ao vivo interpretada pelo conjunto Bossa Nova 4, dirigido por Roberto Todd e J\u00e9sus Sanoja. Institui\u00e7\u00e3o de promo\u00e7\u00e3o teatral, tamb\u00e9m editou a\u00a0<\/span>Revista de Teatro<\/span><\/i>, com seis n\u00fameros entre 1967 e 1970, e publicou v\u00e1rios livros. Parte de sua equipe diretora passou a partir de 1986 \u00e0 Com\u00e9dia Nacional e, em 1988, devido a dificuldades econ\u00f4micas, o grupo fechou suas portas.<\/span><\/p>\n

Cabrujas fundou o Teatro Profissional da Venezuela com Iraida Tapia, Mois\u00e9s Guevara e Fausto Verdial no Teatro Para\u00edso, onde dirigiu\u00a0<\/span>El pez que fuma<\/span><\/i>,\u00a0<\/span>La casa de Bernarda Alba<\/span><\/i>, de Lorca, e\u00a0<\/span>Sonny<\/span><\/i>, sua \u00faltima montagem. Isaac Chocr\u00f3n foi o primeiro diretor da Companhia Nacional de Teatro, fundada em 1984.<\/span>","protected":false},"excerpt":{"rendered":"

Vivian Mart\u00ednez Tabares<\/p>\n","protected":false},"author":22570,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":"","_links_to":"","_links_to_target":""},"categories":[128,97],"tags":[198],"class_list":["post-4968","post","type-post","status-publish","format-standard","hentry","category-teatro","category-temas","tag-teatro","entry"],"yoast_head":"\nNuevo Grupo, El - 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