Some of the academic and artistic productions carried out individually or collectively by GAIA members.
GAIA authors are highlighted in bold.

 

TEXTS

Living with images from large-scale data sets: A critical pedagogy for scaling down
Photographs journal, vol. 16, 2, 2023
Authors: Gabriel Pereira and Bruno Moreschi

We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North
Media International Australia journal, v. 183, 1, 2022
Authors: Bruno Moreschi, Gabriel Pereira, André Mintz and Giselle Beiguelman

From Banal Surveillance to Function Creep: Automated License Plate Recognition (ALPR) in Denmark
Surveillance & Society journal, v. 20, 3, 2022
Authors: Gabriel Pereira and Christoph Raetzsch

Historical continuum and norms in art collections and datasets
Modes: Art History Magazine, v. 6, 2, 2022
Authors: Bruno Moreschi, Amanda Jurno and Giselle Beiguelman

Apple Memories and Automated Memory-Making: The Networked Image Inside the iPhone Chip
Digital Culture & Society journal, vol. 7, 2, 2022
Author: Gabriel Pereira

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management
New Media & Society journal, vol. 24, 7, 2022
Authors: Rafael Grohmann, Gabriel Pereira, Abel Guerra and Ludmilla Costhek Abilio

A imagem-mensagem: cultura visual e design dissidente nas redes
PhD thesis, Faculty of Architecture and Urbanism at the University of São Paulo (FAUUSP), supervision by Giselle Beiguelman, 2022
Author: Didiana Prata

The museum with only walls: an involuntary memorial of Rio de Janeiro’s National Museum on Instagram
Chapter for the book Memorial Museum in the Digital Age, ed. Victoria Walden, Reframe publisher. University of Sussex, 2022
Authors: Giselle Beiguelman and Nathalia Lavigne

Contested visibilities: artistic convergences on cloud computing
Annals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History – International Symposium on Innovation in Interactive Media; 21#ART – International Art and Technology Meeting; 9th Balance-Unbalance – art + science x technology = environment / responsibility, Chile, 2022
Author: Felipe Mamone

A curadoria e o museu virtual: aproximações, precedentes, possibilidades
Annals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History, v.1, 2022, Campinas: Galoá, 2022.
Author: Felipe Mamone

Aindassim rimos
Rosa Magazine, 5, 2022
Author: Gabriel Francisco Lemos

Quem vê?
Rosa Magazine, 5, 2022
Author: Bruno Moreschi, Bernardo Fontes and Caroline Carrion

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco
Digital Culture & Society journal, vol. 7, 2, 2021
Authors: Vinicius Ariel Arruda dos Santos, Amanda Jurno, Didiana Prata, Monique Lemos and Lucas Sequeira Nunes.

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision
AI & Society journal, v., 2021
Authors: Gabriel Pereira and Bruno Moreschi.

Using AI to Classify Instagram’s Dissident Images
Lessons to Learn? Past Design Experiences and Contemporary Design Practices, Proceedings of the ICDHS 12th International Conference on Design History and Design Studies, 2020
Authors: Didiana Prata, Fabio Cozman and Gustavo Polleti

Interlocuções críticas e criativas entre design, arte e a cidade instrumentalizada
Proceedings of the VI International Symposium LAVITS: Asymmetries and (In)Visibilities: Surveillance, Gender and Race. Salvador, 2019
Author: Renato Furquim Vry

 

PRESENTATIONS

Randomness, creativity and noise
Creative AI – Theory & Practice, Creative AI Lab, King’s College London / Serpentine Galleries, 2023
Author: Rodrigo Faustini

Pequena anarqueologia do noise na animação
Anais do II ExperimentAnima – National Meeting of Experimental Animation, Curitiba, 2021
Author: Rodrigo Faustini

Occupying the Archives: Agency Over Images and Folksonomy developed through Collaborative Initiatives
Lessons Learned? Transcultural Perspectives in Curating and Pedagogies, organized by Worlding Public Cultures: The Arts and Social Innovation, Heidelberg University, Japanisches Palais, Staatliche Kunstsammlungen Dresden, 2022.
Author: Nathalia Lavigne

 

ARTISTIC PROJECTS

Latent Space
Project for spatial installation, binaural electroacoustic study, 2021
Artist: Gabriel Francisco Lemos

Another 33rd São Paulo Art Biennial
Website, AI experiences, video, photography, sound, texts, etc.
Artists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira, Guilherme Falcão and Nina Bamberg

Exch w/ Turkers
Website, project for the aarea platform
Artists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira and Guilherme Falcão

demonumenta
Website, AI experience, 3D modeling, etc.
Pedagogical project of the Faculty of Architecture and Urbanism of the University of São Paulo, in collaboration with C4AI – Inova USP, CITI – USP, Museu Paulista da USP, MIT Open Documentary Lab, PISA and co-realization of the Pro-Rectory of Culture and Extension from USP.
GAIA participants: Giselle Beiguelman, Andrey Koens, Bruno Moreschi, Didiana Prata, Amanda Jurno, Gabriel Francisco Lemos and Bernardo Fontes.
Full team here.

Ditamapa
website, 2021
Artists: Andrey Koens and Giselle Beiguelman

 

ART EXHIBITIONS (participation as an artist)

Na terra da Garoa (solo exhibition)
Instituto de Artes da UNESP, São Paulo, 2023
Artista: Andrey Koens

BioMedia: The Age of Media with Life-like Behavior
ZKM, Center for Art and Media Karlsruhe, 2021
Artists: Giselle Beiguelman, Bruno Moreschi and Bernardo Fontes

 

ART EXHIBITION (curated)

Táticas de Desaparecimento
Paço das Artes. Collective exhibition – 2021 Season of Projects.
Artists: Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
Curator: Nathalia Lavigne

 

ORGANIZATION OF EVENTS AND PUBLICATIONS

Technologies of Critical Conscientization (ConCricTec)
Artist residency at the Center for Arts, Design and Social Research, Casa do Povo, 2023
Organizers: Dalida Maria Benfield, Gabriel Pereira, Bruno Moreschi and Christopher A Bratton
GAIA facilitators and/or speakers: Silvana Bahia and Giselle Beiguelman
GAIA participants: Helena Tourinho, Luiza Futuro, Monique Lemos, Nathalia Lavigne and Felipe Mamone

Affecting Technologies, Machining Intelligences
Workshop at GAIA and Institute of Advanced Studies at USP + book
Editors: Dalida Maria Benfield, Kay Ye, Bruno Moreschi and Gabriel PereiraSome of the academic and artistic productions carried out individually or collectively by GAIA members.
GAIA authors are highlighted in bold.

 

Some of the academic and artistic productions carried out individually or collectively by GAIA members.
GAIA authors are highlighted in bold.

 

TEXTS

Living with images from large-scale data sets: A critical pedagogy for scaling down
Photographs journal, vol. 16, 2, 2023
Authors: Gabriel Pereira and Bruno Moreschi

We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North
Media International Australia journal, v. 183, 1, 2022
Authors: Bruno Moreschi, Gabriel Pereira, André Mintz and Giselle Beiguelman

From Banal Surveillance to Function Creep: Automated License Plate Recognition (ALPR) in Denmark
Surveillance & Society journal, v. 20, 3, 2022
Authors: Gabriel Pereira and Christoph Raetzsch

Historical continuum and norms in art collections and datasets
Modes: Art History Magazine, v. 6, 2, 2022
Authors: Bruno Moreschi, Amanda Jurno and Giselle Beiguelman

Apple Memories and Automated Memory-Making: The Networked Image Inside the iPhone Chip
Digital Culture & Society journal, vol. 7, 2, 2022
Author: Gabriel Pereira

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management
New Media & Society journal, vol. 24, 7, 2022
Authors: Rafael Grohmann, Gabriel Pereira, Abel Guerra and Ludmilla Costhek Abilio

A imagem-mensagem: cultura visual e design dissidente nas redes
PhD thesis, Faculty of Architecture and Urbanism at the University of São Paulo (FAUUSP), supervision by Giselle Beiguelman, 2022
Author: Didiana Prata

The museum with only walls: an involuntary memorial of Rio de Janeiro’s National Museum on Instagram
Chapter for the book Memorial Museum in the Digital Age, ed. Victoria Walden, Reframe publisher. University of Sussex, 2022
Authors: Giselle Beiguelman and Nathalia Lavigne

Contested visibilities: artistic convergences on cloud computing
Annals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History – International Symposium on Innovation in Interactive Media; 21#ART – International Art and Technology Meeting; 9th Balance-Unbalance – art + science x technology = environment / responsibility, Chile, 2022
Author: Felipe Mamone

A curadoria e o museu virtual: aproximações, precedentes, possibilidades
Annals of the XII International Congress of the Interunit Graduate Program in Aesthetics and Art History, v.1, 2022, Campinas: Galoá, 2022.
Author: Felipe Mamone

Aindassim rimos
Rosa Magazine, 5, 2022
Author: Gabriel Francisco Lemos

Quem vê?
Rosa Magazine, 5, 2022
Author: Bruno Moreschi, Bernardo Fontes and Caroline Carrion

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco
Digital Culture & Society journal, vol. 7, 2, 2021
Authors: Vinicius Ariel Arruda dos Santos, Amanda Jurno, Didiana Prata, Monique Lemos and Lucas Sequeira Nunes.

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision
AI & Society journal, v., 2021
Authors: Gabriel Pereira and Bruno Moreschi.

Using AI to Classify Instagram’s Dissident Images
Lessons to Learn? Past Design Experiences and Contemporary Design Practices, Proceedings of the ICDHS 12th International Conference on Design History and Design Studies, 2020
Authors: Didiana Prata, Fabio Cozman and Gustavo Polleti

Interlocuções críticas e criativas entre design, arte e a cidade instrumentalizada
Proceedings of the VI International Symposium LAVITS: Asymmetries and (In)Visibilities: Surveillance, Gender and Race. Salvador, 2019
Author: Renato Furquim Vry

 

PRESENTATIONS

Randomness, creativity and noise
Creative AI – Theory & Practice, Creative AI Lab, King’s College London / Serpentine Galleries, 2023
Author: Rodrigo Faustini

Pequena anarqueologia do noise na animação
Anais do II ExperimentAnima – National Meeting of Experimental Animation, Curitiba, 2021
Author: Rodrigo Faustini

Occupying the Archives: Agency Over Images and Folksonomy developed through Collaborative Initiatives
Lessons Learned? Transcultural Perspectives in Curating and Pedagogies, organized by Worlding Public Cultures: The Arts and Social Innovation, Heidelberg University, Japanisches Palais, Staatliche Kunstsammlungen Dresden, 2022.
Author: Nathalia Lavigne

 

ARTISTIC PROJECTS

Latent Space
Project for spatial installation, binaural electroacoustic study, 2021
Artist: Gabriel Francisco Lemos

Another 33rd São Paulo Art Biennial
Website, AI experiences, video, photography, sound, texts, etc.
Artists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira, Guilherme Falcão and Nina Bamberg

Exch w/ Turkers
Website, project for the aarea platform
Artists: Bruno Moreschi, Bernardo Fontes, Gabriel Pereira and Guilherme Falcão

demonumenta
Website, AI experience, 3D modeling, etc.
Pedagogical project of the Faculty of Architecture and Urbanism of the University of São Paulo, in collaboration with C4AI – Inova USP, CITI – USP, Museu Paulista da USP, MIT Open Documentary Lab, PISA and co-realization of the Pro-Rectory of Culture and Extension from USP.
GAIA participants: Giselle Beiguelman, Andrey Koens, Bruno Moreschi, Didiana Prata, Amanda Jurno, Gabriel Francisco Lemos and Bernardo Fontes.
Full team here.

Ditamapa
website, 2021
Artists: Andrey Koens and Giselle Beiguelman

 

ART EXHIBITIONS (participation as an artist)

Na terra da Garoa (solo exhibition)
Instituto de Artes da UNESP, São Paulo, 2023
Artista: Andrey Koens

BioMedia: The Age of Media with Life-like Behavior
ZKM, Center for Art and Media Karlsruhe, 2021
Artists: Giselle Beiguelman, Bruno Moreschi and Bernardo Fontes

 

ART EXHIBITION (curated)

Táticas de Desaparecimento
Paço das Artes. Collective exhibition – 2021 Season of Projects.
Artists: Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
Curator: Nathalia Lavigne

 

ORGANIZATION OF EVENTS AND PUBLICATIONS

Technologies of Critical Conscientization (ConCricTec)
Artist residency at the Center for Arts, Design and Social Research, Casa do Povo, 2023
Organizers: Dalida Maria Benfield, Gabriel Pereira, Bruno Moreschi and Christopher A Bratton
GAIA facilitators and/or speakers: Silvana Bahia and Giselle Beiguelman
GAIA participants: Helena Tourinho, Luiza Futuro, Monique Lemos, Nathalia Lavigne and Felipe Mamone

Affecting Technologies, Machining Intelligences
Workshop at GAIA and Institute of Advanced Studies at USP + book
Editors: Dalida Maria Benfield, Kay Ye, Bruno Moreschi and Gabriel PereiraSome of the academic and artistic productions carried out individually or collectively by GAIA members.
GAIA authors are highlighted in bold.